melody Archives – Page 5 of 8 – Songwriting Craft & Inspiration

If I Were a Boy – Beyoncé

LOS ANGELES, CA - FEBRUARY 08: Beyonce poses in the press room at the 57th GRAMMY Awards at Staples Center. (Photo by Jason LaVeris/FilmMagic)

This beautiful hit ballad has a compelling title and a simple but very effective melody trick you’ll definitely want to try in a song of your own.

While record labels tend to shy away from ballads when it comes to releasing and marketing the big lead single from an album, in this case the label released “If I Were a Boy” as a co-lead single right along with the smash R&B/Pop Dance track “Single Ladies (Put a Ring On It).” Both songs climbed to the Top 5 on the Pop charts and have continued to be listener favorites.

So, how does a slow, thoughtful ballad compete with one of those monster uptempo dance tracks? Watch the song video then read on to find out.

Writers: Toby Gad / Britney Carlson (BC Jean)
Recorded by Beyoncé
Shortcut numbers refer to my book “Shortcuts to Hit Songwriting.”

GENRE/STYLE

What is a genre?
This is a power ballad in the Pop/R&B style. Power ballads generally start out with an intimate, personal sound and build to a big, anthemic ending. The tempo can range from slow to medium but should never feel rushed. The BPM (Beats per Minute) is usually – though not always – 100 or below.

You Belong With Me – Taylor Swift

Taylor Swift says she got the inspiration for this song when she overheard a male friend arguing with his girlfriend over the phone. You’ll see how this idea even ended up in the video. 🙂 Just goes to show that songwriting themes are all around you. Keep your ears open!

Hit Song Guide: Almost Lover – A Fine Frenzy

This song by A Fine Frenzy is a big favorite among fans of the youthful, star-crossed romantic singer-songwriter style. It’s a perfectly cut gem of a song with a personal, yet accessible lyric and a melody that gets stuck in your head. It’s worth studying to learn how to write very personal lyrics that connect with listeners and create melodies that keep a slow-moving ballad compelling.

Moody, introspective songs like this one work well for film & TV. Songs by A Fine Frenzy have been featured in CSI:NY, Parenthood, House, The Vampire Diaries, Army Wives, and many, many more.

Grenade – Bruno Mars

Here’s a Pop/R&B gem with an irresistibly hummable melody and a raw, emotionally over-the-top lyric. It’s also a very interesting blend of styles: a contemporary, driving melody with classic R&B elements in the chorus.

Recorded by Bruno Mars
Writers: Wyatt / Levine / Lawrence / Mars / Kelly / Brown
Lyrics are available on the Internet.
Shortcut # refers to my book “Shortcuts to Hit Songwriting” available at Amazon.com.

GENRE – R&B/Pop (What is a genre?)
The song is a great blend of retro and modern styles. The Motown influence is unmistakable in the chord progression, melody, and and production. Take a listen to the refrain of Smokey Robinson’s “Tears of a Clown” (“…there’s some sad things known to man…”) to hear the warm, rising chords and melodic style used at the end of Bruno Mars’s chorus. But the unusual transitions between sections, the addition of a pre-chorus, and a complex, full-blown chorus clearly give the song a modern sound.

Hit Songwriting: 3 Songs by Adele

Hit songwriting with Adele: Hello.

Adele had three back-to-back #1 hits on the AC radio charts – “Rolling In the Deep” “Someone Like You” and “Set Fire to the Rain”) Her powerful, expressive voice is a huge part of her success but her vivid, emotion-driven songs provide her with the perfect vehicle and it’s the combination that makes it happen. Adele has also been embraced by the Film & TV market, too. You can find a partial list of TV shows that have used her songs at TuneFind.com. It’s a long list!

I’m going to do something a little different in this “Study the Hits” post. I want to take a look at all three songs. They share similar lyric and melody writing techniques, yet they all sound quite different. I’m sure you’re familiar with these songs but I’ve included the videos to refer to as you read. Or… just watch and enjoy! 🙂

Set Fire to The Rain – Adele
Written by Adele and Fraser T Smith

Rolling In the Deep – Adele
Written by Adele and Paul Epworth

Someone Like You – Adele
Written by Adele and Dan Wilson

Lyrics are available on the Internet.
Shortcut numbers refer to my book “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”). Both are available at Amazon.com.

GENRE (What is a genre?)
Adele’s songs appear on the Adult Contemporary (AC) and Hot Adult Contemporary (Hot AC) radio airplay charts. Her melodic writing style, emotional lyrics, and strong vocals appeal to a wide demographic, from teens to 50-somethings, which makes her perfect for the AC radio format. Although she’s considered a singer-songwriter she has co-writers on all three songs.

STRUCTURE
Each of these three songs sounds quite different, but all feature the same commercial song structure:

VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / CHORUS

Adele will often start the chorus right at the one-minute mark, which is just the right spot for a radio single. That’s about how long listeners are willing to wait for it. To keep listeners with her through the verse and pre-chorus, she fills the lyric with emotional details that draw them into the situation.

Tag: melody