Hit Songwriting: Royals by Lorde

Pop songwriter and recording artist Lorde

Sometimes a single, unlikely word can spark a hit. Lorde describes seeing the word “Royals” written on the uniform of a Kansas City Royals baseball player. It triggered a response—not to the baseball team, but to the word itself.

“Royals” is a word that’s loaded with associations – wealth, luxury, power, and privilege. It evokes stories of legendary kings and queens, as well as today’s celebrities. And it stirs up interest in just about everyone, which makes it a perfect word on which to build a song. Let’s take a look at Lorde’s mega-hit and find out how to create a hit song from a single word.

Listen to the song. Read the lyrics.

“Royals” recorded by Lorde
Songwriters: Ella Yelich-O’Connor (Lorde), Joel Little
You can read the lyric here.

GENRE/STYLE: Singer-Songwriter

(What is a genre?)
This song has sold triple Platinum and made it to #1 on Pop charts around the world.  It doesn’t sound like most Pop hits, though. Definitely not Katy Perry or Kelly Clarkson. Instead it blends a singer-songwriter style lyric and melody with a groove and tempo that owe a lot to Hip Hop, giving the song a cool Urban edge.

When blending genres like this, be sure you’re familiar with both of the styles you’re working in. Your song and/or production need to draw on authentic elements from each source rather than being an accidental mish-mash that may or may not really capture a genre. Listen to your favorite artists in each style as you write. Draw on those elements that appeal to you, or study an artist who is already blending those styles.

Thinking Out Loud – Ed Sheeran

Ed Sheeran is definitely paying his respects to Van Morrison here. The vocal style, the blue-eyed soul groove and melody, and the personal, honest lyrics all recall hit singles like Van’s “Into the Mystic.” But there are contemporary elements, too – an emphasis on current melody phrasing patterns and tight lyric focus that appeals to today’s listeners.

Ed Sheeran

This song is a co-write with Amy Wadge, a songwriter Sheeran has worked with before. In fact, he wrote an entire EP of songs with her called Songs I Wrote With Amy.  It’s a great example of a first-rate songwriter who certainly doesn’t need a co-writer. There are many reasons to collaborate: speed, new ideas and techniques, another writer’s perspective, and more.

TECHNIQUES TO HEAR AND TRY:
– Keep your lyric focused on your theme
– Use your melody to make a  basic chord progression

 sound fresh
– Create a simple but effective instrumental arrangement

Read the lyrics here: Thinking Out Loud – Ed Sheeran

Watch on YouTube

Recorded by Ed Sheeran
Writers: Ed Sheeran & Amy Wadge

GENRE/STYLE (What is a genre?)

The song’s blend of Blue-Eyed Soul and contemporary singer-songwriter propelled this song to the top of the Mainstream Top 40 charts in the U.S. and global hit status. It has the kind of positive, love-themed lyric and easy melody that suggests it’s likely to be a standard on Adult Contemporary (AC) radio for years to come.

Hit Songwriting: Beautiful Day by Joshua Radin

Songwriter Joshua Radin

I usually feature a hit song from the music charts in this section, but this time I want to take a look at an artist who has built an extremely successful career on Film & TV placements, Joshua Radin. More than 40 of Radin’s songs have appeared in top TV series, including Bones, Parenthood, Grey’s Anatomy, Beauty and the Beast, Chicago Med, 90210, and the list goes on. You won’t find his songs on the mainstream music charts, nevertheless, he has sold millions of downloads and singles.

Radin’s songs are atmospheric, mood-based, and emotionally evocative rather than attention grabbing radio hits. They tend to feature one- or two-line refrains instead of big, over-the-top choruses, as radio singles do. The production is simple but carefully thought out, with chiseled performances that lock into a groove.

Every song is filled with insight, fresh twists, and beautiful payoff lines that are perfect for film and TV uses. If you’re a singer-songwriter looking at the Film & TV market, here’s an artist who is worth studying.

Hit Songwriting: “Classic” by MKTO

“Retro-Blend” is definitely the phrase du jour. Today’s Pop charts are sounding more and more like the music charts of long ago, from the Neon Trees’ “Everybody Talks” to Robin Thicke’s “Blurred Lines” to Bruno Mars’ “Locked Out of Heaven.”

Retro-influenced songs like these evoke the best of yesterday blended with today’s melody, lyric, and production techniques.

Two of the latest hits to pay their respects to the oldies are Pharrell Williams’ “Happy” and MKTO’s “Classic.” If you can remember dancing to Marvin Gaye and the Jackson 5, then you’ve got a big head start on this style. But the commercial magic is in the blend of old and new. Today’s listeners want it ALL. So, let’s a take a look at a Pop hit that delivers the best of yesterday and today. It’s CLASSIC!

Hit Songwriting: “Let Her Go” – Passenger

Passenger is Mike Rosenberg. Whispers is out now.

Until recently you would only have heard a thoughtful, acoustic-based folk song like “Let Her Go” on college radio stations or eclectic NPR shows. Certainly not among Billboard’s Top 10 Pop hits. But there it is. If you haven’t heard this song on the radio then you’ve probably heard it on a national TV commercial or featured in prime time television series like Elementary and The Vampire Diaries.

Let’s take a deep dive into this song to see what makes it work so well and how you can use some of these techniques in your own songs.

TECHNIQUES TO HEAR AND TRY: 

  • Use examples to express theme and emotion.
  • Start a song with a chorus.
  • Use a three-line melody pattern.
  • Create a slow dynamic build with production.

Listen to the song. Read the lyrics.

Artist: Passenger
Songwriter: Michael David Rosenberg (aka Passenger)

Watch on YouTube.
Read the lyric here.

GENRE/STYLE: Folk, Singer-Songwriter 

(What is a genre? Watch this video.)

The lyric, melody, and structure of this song are all reminiscent of the folk genre, with a nod to both authentic English ballads and the folk songs of the 1960s. If you still love to sing “Where Have All the Flowers Gone” then this song is for you! There’s even a subtle group sing-along on the chorus, almost as if everyone is gathered round the ol’ campfire.

But even though the retro underpinnings are clearly there, the melody has interesting twists that give it a modern edge. If you’ve got a few old fashioned folk songs tucked away (and I know some of you do) consider giving them a facelift with these tricks.