Thinking Out Loud – Ed Sheeran

Ed Sheeran is definitely paying his respects to Van Morrison here. The vocal style, the blue-eyed soul groove and melody, and the personal, honest lyrics all recall hit singles like Van’s “Into the Mystic.” But there are contemporary elements, too – an emphasis on current melody phrasing patterns and tight lyric focus that appeals to today’s listeners.

Ed Sheeran

This song is a co-write with Amy Wadge, a songwriter Sheeran has worked with before. In fact, he wrote an entire EP of songs with her called Songs I Wrote With Amy.  It’s a great example of a first-rate songwriter who certainly doesn’t need a co-writer. There are many reasons to collaborate: speed, new ideas and techniques, another writer’s perspective, and more.

TECHNIQUES TO HEAR AND TRY:
– Keep your lyric focused on your theme
– Use your melody to make a  basic chord progression

 sound fresh
– Create a simple but effective instrumental arrangement

Read the lyrics here: Thinking Out Loud – Ed Sheeran

Watch on YouTube

Recorded by Ed Sheeran
Writers: Ed Sheeran & Amy Wadge

GENRE/STYLE (What is a genre?)

The song’s blend of Blue-Eyed Soul and contemporary singer-songwriter propelled this song to the top of the Mainstream Top 40 charts in the U.S. and global hit status. It has the kind of positive, love-themed lyric and easy melody that suggests it’s likely to be a standard on Adult Contemporary (AC) radio for years to come.

Hit Songwriting: Beautiful Day by Joshua Radin

Songwriter Joshua Radin

I usually feature a hit song from the music charts in this section, but this time I want to take a look at an artist who has built an extremely successful career on Film & TV placements, Joshua Radin. More than 40 of Radin’s songs have appeared in top TV series, including Bones, Parenthood, Grey’s Anatomy, Beauty and the Beast, Chicago Med, 90210, and the list goes on. You won’t find his songs on the mainstream music charts, nevertheless, he has sold millions of downloads and singles.

Radin’s songs are atmospheric, mood-based, and emotionally evocative rather than attention grabbing radio hits. They tend to feature one- or two-line refrains instead of big, over-the-top choruses, as radio singles do. The production is simple but carefully thought out, with chiseled performances that lock into a groove.

Every song is filled with insight, fresh twists, and beautiful payoff lines that are perfect for film and TV uses. If you’re a singer-songwriter looking at the Film & TV market, here’s an artist who is worth studying.

Hit Songwriting: “Let Her Go” – Passenger

Passenger is Mike Rosenberg. Whispers is out now.

Until recently you would only have heard a thoughtful, acoustic-based folk song like “Let Her Go” on college radio stations or eclectic NPR shows. Certainly not among Billboard’s Top 10 Pop hits. But there it is. If you haven’t heard this song on the radio then you’ve probably heard it on a national TV commercial or featured in prime time television series like Elementary and The Vampire Diaries.

Let’s take a deep dive into this song to see what makes it work so well and how you can use some of these techniques in your own songs.

TECHNIQUES TO HEAR AND TRY: 

  • Use examples to express theme and emotion.
  • Start a song with a chorus.
  • Use a three-line melody pattern.
  • Create a slow dynamic build with production.

Listen to the song. Read the lyrics.

Artist: Passenger
Songwriter: Michael David Rosenberg (aka Passenger)

Watch on YouTube.
Read the lyric here.

GENRE/STYLE: Folk, Singer-Songwriter 

(What is a genre? Watch this video.)

The lyric, melody, and structure of this song are all reminiscent of the folk genre, with a nod to both authentic English ballads and the folk songs of the 1960s. If you still love to sing “Where Have All the Flowers Gone” then this song is for you! There’s even a subtle group sing-along on the chorus, almost as if everyone is gathered round the ol’ campfire.

But even though the retro underpinnings are clearly there, the melody has interesting twists that give it a modern edge. If you’ve got a few old fashioned folk songs tucked away (and I know some of you do) consider giving them a facelift with these tricks.

Hit Song Guide: Almost Lover – A Fine Frenzy

This song by A Fine Frenzy is a big favorite among fans of the youthful, star-crossed romantic singer-songwriter style. It’s a perfectly cut gem of a song with a personal, yet accessible lyric and a melody that gets stuck in your head.  It’s worth studying to learn how to write very personal lyrics that connect with listeners and create melodies that keep a slow-moving ballad compelling.

Moody, introspective songs like this one work well for film & TV. Songs by A Fine Frenzy have been featured in CSI:NY, Parenthood, House, The Vampire Diaries, Army Wives, and many, many more.

Hit Songwriting: 3 Songs by Adele

Hit songwriting with Adele: Hello.
Songs by Adele

Adele had three back-to-back #1 hits on the AC radio charts – “Rolling In the Deep” “Someone Like You” and “Set Fire to the Rain”) Her powerful, expressive voice is a huge part of her success but her vivid, emotion-driven songs provide her with the perfect vehicle and it’s the combination that makes it happen. Adele has also been embraced by the Film & TV market, too. You can find a partial list of TV shows that have used her songs at TuneFind.com. It’s a long list!

I’m going to do something a little different in this “Study the Hits” post. I want to take a look at all three songs. They share similar lyric and melody writing techniques, yet they all sound quite different. I’m sure you’re familiar with these songs but I’ve included the videos to refer to as you read. Or… just watch and enjoy! 🙂

Set Fire to The Rain – Adele
Written by Adele and Fraser T Smith

Rolling In the Deep – Adele
Written by Adele and Paul Epworth

Someone Like You – Adele
Written by Adele and Dan Wilson

Lyrics are available on the Internet.
Shortcut numbers refer to my book “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”). Both are available at Amazon.com.

GENRE (What is a genre?)
Adele’s songs appear on the Adult Contemporary (AC) and Hot Adult Contemporary (Hot AC) radio airplay charts. Her melodic writing style, emotional lyrics, and strong vocals appeal to a wide demographic, from teens to 50-somethings, which makes her perfect for the AC radio format. Although she’s considered a singer-songwriter she has co-writers on all three songs.

STRUCTURE
Each of these three songs sounds quite different, but all feature the same commercial song structure:

VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / CHORUS

Adele will often start the chorus right at the one-minute mark, which is just the right spot for a radio single. That’s about how long listeners are willing to wait for it. To keep listeners with her through the verse and pre-chorus, she fills the lyric with emotional details that draw them into the situation.