ROBIN FREDERICK TAKES YOU INSIDE TODAY'S HIT SONGS.
Category:SINGER-SONGWRITER
One of the fastest growing genres in today’s music scene, vivid images and a strong personal style characterize this genre. Learn to express your ideas in fresh language and keep your listener with you!
Here’s a successful Singer-Songwriter song with simple production and an honest, emotionally moving lyric. Alexi Murdoch has sold over 50,000 CDs through CD Baby making him one of their biggest sellers of all time. He self-releases his music and has turned down several offers from major labels. Most of his sales came as a result of the film & TV uses of his songs.
You’ve probably heard the song “All My Days” without realizing it. It’s featured in a commercial for Sprint and has also been used in several TV series, including CSI, Scrubs, and The OC. Let’s take a look at why this simple, acoustic song is so successful.
There are so many influences from Fleetwood Mac’s golden hits of the mid-1970s that it’s impossible to listen to this song without being reminded of those timeless, unforgettable hits. It’s a perfect example of how to take a style that had enormous appeal in an earlier decade and give it a fresh twist that makes it seem new again.
“Fallin’ For You” recorded by Colbie Caillat
Writers: Colbie Caillat & Richard Nowels
Lyrics are available on the internet.
Shortcut # refers to my book “Shortcuts to Hit Songwriting.”
STRUCTURE
The song structure is the current hit song go-to form…
VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / CHORUS
The pre-chorus begins with “I am trying not to tell you…” The chorus begins on the line “I’ve been spending all my time…” The bridge melody uses plenty of contrast, making it easy to spot. It consists of just two lines, beginning with “Ooh, I just can’t take it…”
Listen to the song and notice where the sections begin and end. Pay special attention to the way each section is “announced” by the melody. It helps keep the song organized and lets listeners know where they are in the song.
MELODY
In a Colbie Caillat song, the melodies are always catchy, memorable, and contemporary. Studying her melodies is a great way to get a feel for the current Pop/Singer-Songwriter genre.
This melody uses a simple technique that is characteristic of many songs in this style. There’s a lot of repetition in this melody.
This song had a long run on the Adult Contemporary (AC) music charts. It has also been used in two popular TV series. Its fresh, insightful lyric paints a picture of a situation many listeners can identify with and the quirky melody is catchy and distinctive.
“King of Anything” recorded by Sara Bareilles Writer: Sara Bareilles
Lyrics are available online here. Shortcut numbers refer to my books Shortcuts to Hit Songwriting (“Hit”) and Shortcuts to Songwriting for Film & TV (“Film/TV”).
STRUCTURE
The song structure is:
VERSE / PRECHORUS / CHORUS
VERSE / CHORUS
BRIDGE / CHORUS
This song is a variation on a very popular hit song structure. Verse 1 is followed by a pre-chorus (“I hate to break it to you…”) then a chorus (“Who cares if you disagree…”). However, the song doesn’t have pre-chorus at the end of the second verse. Instead, the second verse goes directly to Chorus 2. This is followed by a bridge, then back for a couple repeats of the chorus to end the song. Possibly the second pre-chorus was cut in order to get to the second chorus sooner. The verses are quite long and the change in pace under the pre-chorus does seem to slow the forward momentum of the song.
MELODY
There are a lot of different tricks used in this melody to create an upbeat, catchy, fresh sound. The big attention-getter here is the unexpected jump up in the melody on the first word of the chorus (“Who…”). It’s used once more in the chorus – a good idea since listeners want to hear it again! Try a jump like this in one of your own melodies. It’s a great way to catch the listener’s ear!
John Paul White (left) and Joy Williams of The Civil Wars. The duo's second album will be released on August 6.
Singer-songwriter duo The Civil Wars won the 2012 Grammy for Best Country Duo/Group Performance and another for Best Folk Album. Joy WIlliams and Paul White were working as solo singer-songwriters before teaming up to create a unique blend that lets each of them shine. This is a great example of collaboration! They obviously share a love for folk music and were able to find a way to pool their talents and make a whole that’s different from their work as solo artists.
The emotional, atmospheric quality of the tracks makes them perfect for film and television. And indeed, “Poison & Wine” has been featured Grey’s Anatomy, Vampire Diaries, The Client List, Pretty Little Liars, 90210, and more. So let’s take a look.
“Come On Get Higher” by Matt Nathanson has over 200 million streams on Spotify and millions of downloads. Nathanson’s songs have been regularly featured in TV shows like One Tree Hill, The Vampire Diaries, and NCIS. He writes songs that come from the heart and connect with listeners by being both totally believable and completely entertaining.
Recorded by Matt Nathanson Writers: Matt Nathanson, Mark Weinberg Shortcut # refers to my book “Shortcuts to Hit Songwriting.”
GROOVE
One of the things that attracted me right away to this song is the hip-swaying, easy-going rhythmic groove. There’s a sensual feel to this groove that underscores the intimate physicality of the lyric.
If you play guitar, try playing along with this song and learn the strum he’s using. You can hear it clearly at the top of the song. If you play keyboards, look through a library of rhythm loops for one that has a similar feel and try playing the chords along with the loop.
This type of groove (based on 16th notes with a laid-back, swinging feel) is very current in both the Pop and Country genres (Shortcut #113). Try writing a song to a groove like this. Once you get comfortable with it, you’ll start to notice how this groove affects the melody you write. More on that in a minute.
