Writing Songs of Social Commentary

No matter what song genre you’re writing in, at some point you’re likely to find yourself wanting to express your thoughts about your generation, your community, society, or the state of the world in general. Given the unsettled times we’re living in, it’s not surprising that songwriters are turning toward their art to express feelings of solidarity, uncertainty, pride, indignation, or hope for the future. Whatever your thoughts or feelings are about the world, a song of social commentary is a great way to express them.

What are songs of social commentary?

The words “social commentary” are not, in themselves, either positive or negative. These songs are a means of expressing an opinion, observation, or message, the way you see and feel about things, especially things you feel strongly about.

For example, one person might look at a community and see the good that comes from a sense of belonging, while another might see a close-minded group banding together to keep outsiders at a distance. What’s your view? What’s your experience? Your observations may be lauded or they may be unpopular, but it’s still up to you – and no one else – to say what you want to say, to make your opinion heard.

Songs of social commentary are not limited to politics or protest. They can help us define a sense of purpose and place, identify with those who are like us and not like us, chastise and forgive, identify our strengths and our failings, and help us work our way through an ever-changing world.

Most importantly, a song of social commentary seeks to persuade, to convey the songwriter’s observations, beliefs, or experiences in a way that allows the listener to see and understand the world as the songwriter does. In doing so, the hope is that through songs we can understand each other a little better.

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Themes

This list includes a few of the most popular themes that come up in commentary songs. Each theme can be expressed in individual terms: its effect on one person or on the singer. Or painted with a broader brush: its effect on a whole society or the world. I’m sure you’ll think of more themes, so feel free to add your own, ones that have meaning and energy for you.

“I’m Yours” by Jason Mraz

Hit songwriter and recording artist Jason Mraz.

I think it’s safe to say there are more broken-hearted songs written every day than happy ones. For one thing, it’s easier to sound serious and deep (and cool) when you’re singing a thoughtful, angst-y, sad song than a happy, bright bit of fluff. And, of course, who wants to shut themselves up and work on a song when the good times are rolling.

The biggest problem, though, is how to avoid the kinds of generic, happy-face clichés that are the downfall of so many of these songs. Jason Mraz definitely has a knack for writing upbeat songs that don’t sound shallow. So, let’s take a look and see how he does it.

Listen to the song. Read the lyrics.

Watch on YouTube.

Read the lyrics here.

Written & Recorded by Jason Mraz

GENRE – Adult Contemporary

(What is a genre? Watch this video.)

“I’m Yours” was a No. 1 Pop and Adult Contemporary hit that spent a record-breaking 76 weeks on Billboard’s Hot 100 music chart. It has a light reggae groove, a warm vocal, and lyrics that are seem both personal and universal. The catchy chorus has a sing-along vibe and, in fact, the final chorus on the recording features a gang vocal that adds a party vibe.

Upbeat songs have a lot of audience appeal. They not only work well for radio, they’re also sought after by TV series and advertisers. “I’m Yours” has been used in half a dozen TV series, two national TV commercials, and was nominated for a Grammy Award for Song of the Year.

SONG STRUCTURE

The song has an interesting song structure with a couple of tricks you might want to try.
VERSE / SHORT CHORUS
VERSE / FULL CHORUS
BRIDGE / VERSE 3 / SHORT CHORUS / FULL CHORUS (with Verse 1)

VERSES: The verses convey the theme of the song – “Love is wonderful.” Verse 1 begins with the line “Well, you done done me and you bet I felt it.” The first line of Verse 2 is “Well, open up your mind and see like me.” Verse 3 begins “I’ve been spending way too long checking my tongue in the mirror.”

The melody in Verse 2 is different from Verse 1 and Verse 3 although the chords are the same and it’s still recognizable as a verse. It adds playfulness and variety to the song.

CHORUS: The chorus always begins with the line “I won’t hesitate no more, no more. It cannot wait.” and ends with the title, “I’m yours.” Putting the title in the last line of the chorus is a big plus because that’s a line that listeners can hold onto and remember in the midst of this wordy lyric. 

The first time Mraz sings the chorus, about 45 seconds into the song, he only sings the first and last lines. It’s almost as if he’s dishing up the best parts as a kind of appetizer. The second chorus is longer, doubling the length by adding three more lines that aren’t in the chorus the first time we hear it and rearranging the lyric so it still ends with “I’m yours.” 

The final chorus is sung by a group of people who sound like they’re having a good time while Mraz sings a verse over the chorus. It creates a happy sing-along ending with lots of good-time energy. 

The chorus lyric doesn’t change. It adds lines the second time around but repeats the essential first and last lines. This maintains the repeated chorus effect that listeners like to hear while building and adding shape to this upbeat song, keeping it interesting. Try something like this is a song of your own. 

BRIDGE: The bridge starts with a scat vocal – “Doo-ja-doo-doo-doo-ja” – just about two minutes into the song. 

– TRY IT NOW –

Listen to the song and notice where each song section begins. See if you can identify the verses, chorus, and bridge. Watch for the chorus and notice how the length and complexity changes as the song moves forward.

Hit Songwriting: Royals by Lorde

Pop songwriter and recording artist Lorde

Sometimes a single, unlikely word can spark a hit. Lorde describes seeing the word “Royals” written on the uniform of a Kansas City Royals baseball player. It triggered a response—not to the baseball team, but to the word itself.

“Royals” is a word that’s loaded with associations – wealth, luxury, power, and privilege. It evokes stories of legendary kings and queens, as well as today’s celebrities. And it stirs up interest in just about everyone, which makes it a perfect word on which to build a song. Let’s take a look at Lorde’s mega-hit and find out how to create a hit song from a single word.

Listen to the song. Read the lyrics.

“Royals” recorded by Lorde
Songwriters: Ella Yelich-O’Connor (Lorde), Joel Little
You can read the lyric here.

GENRE/STYLE: Singer-Songwriter

(What is a genre?)
This song has sold triple Platinum and made it to #1 on Pop charts around the world.  It doesn’t sound like most Pop hits, though. Definitely not Katy Perry or Kelly Clarkson. Instead it blends a singer-songwriter style lyric and melody with a groove and tempo that owe a lot to Hip Hop, giving the song a cool Urban edge.

When blending genres like this, be sure you’re familiar with both of the styles you’re working in. Your song and/or production need to draw on authentic elements from each source rather than being an accidental mish-mash that may or may not really capture a genre. Listen to your favorite artists in each style as you write. Draw on those elements that appeal to you, or study an artist who is already blending those styles.

Write a Fresh Holiday Hit

Every holiday season, we’re surrounded with recordings of Christmas standards and traditional carols. Wouldn’t it be nice if there were a few new songs every now and then? I mean, tradition is fine but we all need a break sometimes. So, how about writing a fresh holiday hit this season, something just a little bit different?

Here’s a list of contemporary holiday songs that take a slightly different approach to the season. I chose these songs because each one has something interesting to offer in the way of song craft or an inspired idea. Give them a listen and try some of these ideas yourself. Maybe you’ll write the next holiday hit!

It’s that TIME of year

Skaters

Most of our holiday standards are in good old familiar 4/4 time. How about breaking with tradition and writing a song with a different groove? There are some (but not many) wonderful holiday songs with a waltz feel – “The Christmas Waltz” is one of a handful that comes to mind. So, let’s write a couple new ones. Time signatures based on 3 beats (3/4, 6/8, 12/8) evoke the swirl of falling snowflakes and skaters twirling on the ice. Perfect for the holiday season!

To hear a contemporary Country take on a holiday waltz, check out Alan Jackson’s “Let It Be Christmas.” The irresistible swing and sway give his sweet lyric an uplifting energy.

PLAY IT:  Let It Be Christmas – Alan Jackson

Don’t feel like waltzing on the ice? How about a Christmas shuffle? Or explore more unusual time signatures, like 5/4 or 7/4. How about a Dave Brubeck “Take Five” feel this holiday!

New Year, new song …

Aren’t we all getting a little tired of ‘Auld Lang Syne” and “What Are You Doing New Year’s Eve?” How about a New Year’s Eve EDM rave up? Or a novelty song about people’s worst New Year’s resolutions? Or a song about why we celebrate the end of a year and why we think next year will be better? Here’s a song that will actually make you believe next year will be better!

Hold Back the River – James Bay

James Bay

“Hold Back the River” became a huge international hit soon after its release in late 2014. Universal themes of nostalgia, regret, and lost innocence are conveyed in conversational yet evocative language. The chorus melody is memorable and has a folksy authenticity that adds to the singer’s credibility.

There are many simple songwriting techniques here that you can use in songs of your own: a family of related images, words that have emotional associations, varied phrase lengths in the melody, and an easy trick for catching the listener’s attention with your chorus. Let’s take a look at how these work together to create a hit song.

TECHNIQUES TO HEAR AND TRY:

• Use images to intensify emotion.

• Create contrast between sections with phrase lengths.

• Add an octave to lift the energy.

Read the lyrics here: Hold Back the River – James Bay

Buy it now or listen on your preferred music site (Spotify, Rdio, Rhapsody, etc.)

Watch on YouTube.

Recorded by James Bay
Writers: James Bay & Iain Archer

GENRE/STYLE  (What is a genre?)
I’m going with Folk/Rock on this one. The lyric palette features images of nature and rural life. The melody is fairly straight ahead, closer to the Indie Folk style of “Gone Gone Gone” by Phillip Phillips than to the quirky, unpredictable melodies of Alt Pop or Alt Rock, where it is sometimes classified. The track relies on acoustic guitar-style melody lines and strumming (although played on electric guitar), there’s not a whiff of synthesizer or electro anywhere around. The drums are live (and great). Folk/Rock has made a very successful comeback after being out of fashion for the last few decades.

SONG STRUCTURE
This structure looks complicated but sounds cohesive and natural when you listen to the track. The verse melody functions as both an instrumental and vocal hook. The bridge reappears at the end of the song as a tag, after which we hear the hook one more time. Every melody is used and reused. There are, in fact, only three different melodies: 1) verse and hook, 2) chorus, and 3) bridge.