ROBIN FREDERICK TAKES YOU INSIDE TODAY'S HIT SONGS.
Category:POP
Take a look inside today’s biggest Pop hits and learn the songwriting secrets that make them so irresistible, from chorus hooks to attention-grabbing lyrics.
Question: How do you follow up a platinum, career-launching single like Meghan Trainor’s “All About That Bass”? Answer: With two more relentlessly catchy songs that build on a similar retro-blend sound.
Which is exactly what Meghan Trainor did. But after the third single – as much fluffy fun as it was – listeners were bound to wonder if things weren’t starting to sound a little same-y. Time for something new. Trainor hit the sweet spot with a ballad/duet with John Legend that slides perfectly into Trainor’s throwback sound while revealing more emotional depth.
“Hold Back the River” became a huge international hit soon after its release in late 2014. Universal themes of nostalgia, regret, and lost innocence are conveyed in conversational yet evocative language. The chorus melody is memorable and has a folksy authenticity that adds to the singer’s credibility.
There are many simple songwriting techniques here that you can use in songs of your own: a family of related images, words that have emotional associations, varied phrase lengths in the melody, and an easy trick for catching the listener’s attention with your chorus. Let’s take a look at how these work together to create a hit song.
TECHNIQUES TO HEAR AND TRY: • Use images to intensify emotion. • Create contrast between sections with phrase lengths. • Add an octave to lift the energy.
Recorded by James Bay Writers: James Bay & Iain Archer
GENRE/STYLE(What is a genre?) I’m going with Folk/Rock on this one. The lyric palette features images of nature and rural life. The melody is fairly straight ahead, closer to the Indie Folk style of “Gone Gone Gone” by Phillip Phillips than to the quirky, unpredictable melodies of Alt Pop or Alt Rock, where it is sometimes classified. The track relies on acoustic guitar-style melody lines and strumming (although played on electric guitar), there’s not a whiff of synthesizer or electro anywhere around. The drums are live (and great). Folk/Rock has made a very successful comeback after being out of fashion for the last few decades.
SONG STRUCTURE This structure looks complicated but sounds cohesive and natural when you listen to the track. The verse melody functions as both an instrumental and vocal hook. The bridge reappears at the end of the song as a tag, after which we hear the hook one more time. Every melody is used and reused. There are, in fact, only three different melodies: 1) verse and hook, 2) chorus, and 3) bridge.
Ed Sheeran is definitely paying his respects to Van Morrison here. The vocal style, the blue-eyed soul groove and melody, and the personal, honest lyrics all recall hit singles like Van’s “Into the Mystic.” But there are contemporary elements, too – an emphasis on current melody phrasing patterns and tight lyric focus that appeals to today’s listeners.
This song is a co-write with Amy Wadge, a songwriter Sheeran has worked with before. In fact, he wrote an entire EP of songs with her called Songs I Wrote With Amy. It’s a great example of a first-rate songwriter who certainly doesn’t need a co-writer. There are many reasons to collaborate: speed, new ideas and techniques, another writer’s perspective, and more.
TECHNIQUES TO HEAR AND TRY: – Keep your lyric focused on your theme – Use your melody to make a basic chord progression sound fresh – Create a simple but effective instrumental arrangement
The song’s blend of Blue-Eyed Soul and contemporary singer-songwriter propelled this song to the top of the Mainstream Top 40 charts in the U.S. and global hit status. It has the kind of positive, love-themed lyric and easy melody that suggests it’s likely to be a standard on Adult Contemporary (AC) radio for years to come.
“Retro-Blend” is definitely the phrase du jour. Today’s Pop charts are sounding more and more like the music charts of long ago, from the Neon Trees’ “Everybody Talks” to Robin Thicke’s “Blurred Lines” to Bruno Mars’ “Locked Out of Heaven.”
Retro-influenced songs like these evoke the best of yesterday blended with today’s melody, lyric, and production techniques.
Two of the latest hits to pay their respects to the oldies are Pharrell Williams’ “Happy” and MKTO’s “Classic.” If you can remember dancing to Marvin Gaye and the Jackson 5, then you’ve got a big head start on this style. But the commercial magic is in the blend of old and new. Today’s listeners want it ALL. So, let’s a take a look at a Pop hit that delivers the best of yesterday and today. It’s CLASSIC!
LOS ANGELES, CA - FEBRUARY 08: Beyonce poses in the press room at the 57th GRAMMY Awards at Staples Center. (Photo by Jason LaVeris/FilmMagic)
This beautiful hit ballad has a compelling title and a simple but very effective melody trick you’ll definitely want to try in a song of your own.
While record labels tend to shy away from ballads when it comes to releasing and marketing the big lead single from an album, in this case the label released “If I Were a Boy” as a co-lead single right along with the smash R&B/Pop Dance track “Single Ladies (Put a Ring On It).” Both songs climbed to the Top 5 on the Pop charts and have continued to be listener favorites.
So, how does a slow, thoughtful ballad compete with one of those monster uptempo dance tracks? Watch the song video then read on to find out.
Writers: Toby Gad / Britney Carlson (BC Jean) Recorded by Beyoncé Shortcut numbers refer to my book “Shortcuts to Hit Songwriting.”
GENRE/STYLE
What is a genre? This is a power ballad in the Pop/R&B style. Power ballads generally start out with an intimate, personal sound and build to a big, anthemic ending. The tempo can range from slow to medium but should never feel rushed. The BPM (Beats per Minute) is usually – though not always – 100 or below.
