Dynamite – Taio Cruz

“Dynamite” is a Club Dance track that crossed over to the Pop/Dance charts big time! The song has a hot, hot HOT track. The song rides on top of a solid, rock-steady groove adding a vocal melody filled with catchy hooks and a fun lyric.

Recorded by Taio Cruz
Writers: Levin / McKee /Martin /Adetayo / Onile / Gottwald

Lyrics are available on the Internet.
Shortcut numbers refer to my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”). Both are available at Amazon.com.

GENRE

The Club Dance genre features irresistible, infectious grooves that get people out on the dance floor. Vocal melodies have plenty of rhythmic interest, using syncopation and repetition. Lyrics sometimes consist of no more than “let’s dance, get out on the floor “but for a song to crossover to the Pop charts, as this one certainly did, you’ll need to give the lyrics a little more personality and attitude.

In this genre, the lyrics and melody together are referred to as the “top-line.” The top-line is usually written after the instrumental track is roughed out or even completed. A good track producer will make sure that the top-line writer has a clear verse and chorus structure to work with. A few artists who are successful in this genre are Taio Cruz, Lady Gaga, Ellie Goulding, Britney Spears, Kylie Minogue, David Guetta, and Calvin Harris.

“Come On Get Higher” – Matt Nathanson

“Come On Get Higher” by Matt Nathanson has over 200 million streams on Spotify and millions of downloads. Nathanson’s songs have been regularly featured in TV shows like One Tree Hill, The Vampire Diaries, and NCIS. He writes songs that come from the heart and connect with listeners by being both totally believable and completely entertaining.

Watch on YouTube.

Read the lyrics.


Recorded by Matt Nathanson
Writers: Matt Nathanson, Mark Weinberg
Shortcut # refers to my book “Shortcuts to Hit Songwriting.”

GROOVE

One of the things that attracted me right away to this song is the hip-swaying, easy-going rhythmic groove. There’s a sensual feel to this groove that underscores the intimate physicality of the lyric.

If you play guitar, try playing along with this song and learn the strum he’s using. You can hear it clearly at the top of the song. If you play keyboards, look through a library of rhythm loops for one that has a similar feel and try playing the chords along with the loop.

This type of groove (based on 16th notes with a laid-back, swinging feel) is very current in both the Pop and Country genres (Shortcut #113). Try writing a song to a groove like this. Once you get comfortable with it, you’ll start to notice how this groove affects the melody you write. More on that in a minute.