If you could ask a question of any successful hit songwriter, what would you want to know? You’d probably ask how they do it. In fact, you can ask that question and get an answer… just by taking an in-depth look at their hits.
WHY THIS SONG?
Brandi Carlile is not only a Grammy Award winning songwriter and performer, she has also written and performed songs featured in a wide range of motion pictures—from Barbie: the Movie to Sisterhood of the Traveling Pants—and hit television shows like Grey’s Anatomy and Ted Lasso. (Visit Tunefind.com for a long list.) “Carried Me With You” was written for the Pixar film Onward and was nominated for a Grammy for Best Song Written for Visual Media.
Taylor Swift currently has multiple songs on the charts. Each one is a master class in melody and lyric writing you can apply to your own songs in any genre. “Cruel Summer” is filled with songwriting goodies you can use to add listener appeal but still say what you want to say in your song. So let’s dive in!
For a while now, I’ve been wanting to do a Song Guide on a Lewis Capaldi song. I first heard “Grace” on Grey’s Anatomy and I was struck by its rhythmical melody and simple, powerful hook. Next thing I knew, Capaldi had a radio hit and Grammy nomination for “Someone You Loved,” a piano/vocal song with a lyric that evokes the Titanic of relationship disasters. Capaldi’s current single, “Before You Go,” is well on its way to a billion listens on Spotify. So I start wondering who is this guy?
Well, it turns out, Lewis Capaldi the artist currently consists of himself and a production/songwriting team called TMS (Tommy Barnes, Benjamin Kohn, and Peter Kelleher). You can find out more about their collaboration in this interview.
Their cowrite with Capaldi,”Before You Go,” seems an unlikely hit in these days of unrelenting dance beats. Its dark, confessional Singer-Songwriter lyric and huge, emotional chorus, set it apart from most commercial radio hits. So I want to take a deeper look to find out what makes it work.
There are so many great things going on in the song “Here” by Rascal Flatts that it’s well worth spending some time looking into what makes it tick. The melody is tight, well-structured, and unforgettable. Lyrics are focused like a laser on the emotion at the heart of the song.
The chorus begins with the line “And I wouldn’t change a thing…” and ends with an emotional payoff in the final phrase “here, right here.” Notice how this phrase is set up with a short pause that gives it more weight and draws attention to it (Shortcut #96).
The pre-choruses both begin with the phrase, “I know now…” The bridge flows right out of the second chorus so it’s a little harder to spot. It actually starts with the last word of the chorus (and the title of the song): “here… in a love I never thought I’d get to.” The word “here” does double duty as the end of the chorus and beginning of the bridge, a great way to keep the song flowing forward and pull the listener right into the bridge. Try this idea in one of your own songs as a transition between sections.
Songwriters: Odie Hawkins, Nate Mendel, Chris Shiflett, Georg Ruthenberg, David Eric Grohl
I was looking through the songs I’ve analyzed over the last couple years and realized I’d never done a song by Foo Fighters. Their huge presence looms over the Rock genre, inspiring dozens of top bands. Grammy wins for Best Rock Album and over a decade of hit Rock songs means that I am long overdue.
This beautiful song from 2012 is one of my favorites. And David Grohl has said that it’s one of his. The passionate chorus lyric and unpredictable but catchy melody make this song a Rock classic that will live on and on.
Watch the video. Read the lyrics.
Watch on YouTube Read the lyric Shortcut numbers refer to my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).
GENRE
The genre is Mainstream Rock. Grohl’s gritty vocal, the layered electric guitars, and hard, punchy drums give it plenty of Rock cred. At the same time, the lyric is thoughtful and the theme serious. There’s an intimate approach to the verses that bursts into a solid, rockin’ chorus with a powerful message that landed this song at the top of the Rock charts.
The song opens with a double verse. The verses each consist of two long lyric lines broken up into short phrases. A pre-chorus (“But it’s all right…”) provides some release and begins the build up to the huge vocal leap at the top of the chorus (“Easy for you to say…”).
The overall structure is typical for a hit song up until the bridge. Grohl uses a double pre-chorus as the bridge before going into a final verse and chorus. Notice that he doesn’t return to the pre-chorus again, using just a half verse before roaring into the final chorus of the song.
