Songwriting Craft & Inspiration
ROBIN FREDERICK TAKES YOU INSIDE TODAY'S HIT SONGS.
“Don’t Start Now” is a great Disco-influenced Club Dance hit that I just couldn’t pass up. Dua Lipa can always be counted on to deliver solid songs that appeal to the Dance crowd and radio listeners as well.
Number 1 on the Dance Club and Top 40 charts, and on its way to a billion listens on Spotify, this is yet another score for Lipa, her cowriters, and producer. So, let’s find a few techniques you can try in your own dance hits.
I think it’s safe to say there are more broken-hearted songs written every day than happy ones. For one thing, it’s easier to sound serious and deep (and cool) when you’re singing a thoughtful, angst-y, sad song than a happy, bright bit of fluff. And, of course, who wants to shut themselves up and work on a song when the good times are rolling.
The biggest problem, though, is how to avoid the kinds of generic, happy-face clichés that are the downfall of so many of these songs. Jason Mraz definitely has a knack for writing upbeat songs that don’t sound shallow. So, let’s take a look and see how he does it.
Written & Recorded by Jason Mraz
(What is a genre? Watch this video.)
“I’m Yours” was a No. 1 Pop and Adult Contemporary hit that spent a record-breaking 76 weeks on Billboard’s Hot 100 music chart. It has a light reggae groove, a warm vocal, and lyrics that are seem both personal and universal. The catchy chorus has a sing-along vibe and, in fact, the final chorus on the recording features a gang vocal that adds a party vibe.
Upbeat songs have a lot of audience appeal. They not only work well for radio, they’re also sought after by TV series and advertisers. “I’m Yours” has been used in half a dozen TV series, two national TV commercials, and was nominated for a Grammy Award for Song of the Year.
The song has an interesting song structure with a couple of tricks you might want to try.
VERSE / SHORT CHORUS
VERSE / FULL CHORUS
BRIDGE / VERSE 3 / SHORT CHORUS / FULL CHORUS (with Verse 1)
VERSES: The verses convey the theme of the song – “Love is wonderful.” Verse 1 begins with the line “Well, you done done me and you bet I felt it.” The first line of Verse 2 is “Well, open up your mind and see like me.” Verse 3 begins “I’ve been spending way too long checking my tongue in the mirror.”
The melody in Verse 2 is different from Verse 1 and Verse 3 although the chords are the same and it’s still recognizable as a verse. It adds playfulness and variety to the song.
CHORUS: The chorus always begins with the line “I won’t hesitate no more, no more. It cannot wait.” and ends with the title, “I’m yours.” Putting the title in the last line of the chorus is a big plus because that’s a line that listeners can hold onto and remember in the midst of this wordy lyric.
The first time Mraz sings the chorus, about 45 seconds into the song, he only sings the first and last lines. It’s almost as if he’s dishing up the best parts as a kind of appetizer. The second chorus is longer, doubling the length by adding three more lines that aren’t in the chorus the first time we hear it and rearranging the lyric so it still ends with “I’m yours.”
The final chorus is sung by a group of people who sound like they’re having a good time while Mraz sings a verse over the chorus. It creates a happy sing-along ending with lots of good-time energy.
The chorus lyric doesn’t change. It adds lines the second time around but repeats the essential first and last lines. This maintains the repeated chorus effect that listeners like to hear while building and adding shape to this upbeat song, keeping it interesting. Try something like this is a song of your own.
BRIDGE: The bridge starts with a scat vocal – “Doo-ja-doo-doo-doo-ja” – just about two minutes into the song.
– TRY IT NOW –
Listen to the song and notice where each song section begins. See if you can identify the verses, chorus, and bridge. Watch for the chorus and notice how the length and complexity changes as the song moves forward.
Songwriters: Odie Hawkins, Nate Mendel, Chris Shiflett, Georg Ruthenberg, David Eric Grohl
I was looking through the songs I’ve analyzed over the last couple years and realized I’d never done a song by Foo Fighters. Their huge presence looms over the Rock genre, inspiring dozens of top bands. Grammy wins for Best Rock Album and over a decade of hit Rock songs means that I am long overdue.
This beautiful song from 2012 is one of my favorites. And David Grohl has said that it’s one of his. The passionate chorus lyric and unpredictable but catchy melody make this song a Rock classic that will live on and on.
Watch on YouTube
Read the lyric
Shortcut numbers refer to my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).
The genre is Mainstream Rock. Grohl’s gritty vocal, the layered electric guitars, and hard, punchy drums give it plenty of Rock cred. At the same time, the lyric is thoughtful and the theme serious. There’s an intimate approach to the verses that bursts into a solid, rockin’ chorus with a powerful message that landed this song at the top of the Rock charts.
The song structure is:
VERSE / VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
DOUBLE PRE-CHORUS / HALF VERSE / CHORUS
The song opens with a double verse. The verses each consist of two long lyric lines broken up into short phrases. A pre-chorus (“But it’s all right…”) provides some release and begins the build up to the huge vocal leap at the top of the chorus (“Easy for you to say…”).
The overall structure is typical for a hit song up until the bridge. Grohl uses a double pre-chorus as the bridge before going into a final verse and chorus. Notice that he doesn’t return to the pre-chorus again, using just a half verse before roaring into the final chorus of the song.
There are always a whole lotta party-all-night, feel-good songs on the Country music charts, especially in the summer. It’s a theme with tons of appeal for Country listeners.
The songwriting on all these hits is solid, of course, but, after a while you might start to notice a certain same-ness to the lyrics. They all seem to have pickup trucks, beer, and girls in shorts. So, wouldn’t it be cool if you could write a hit song with this commercially appealing theme and set yourself a little apart from the crowd? Let’s take a look at a Country hit that does exactly that.
“Play It Again,” a summertime hit recorded by Luke Bryan, has the required tailgate and girl in shorts but the song brings this girl to life in a way that’s vivid and believable. You get a real sense of both the singer’s character and the girl’s. The song plays out like a series of scenes, fun to watch and easy to get caught up in.
Artist: Luke Bryan
Writers: Dallas Davidson & Ashley Gorley
The genre is 100% pure Contemporary Country. The detailed story line and physical actions of the characters are clearly drawn. It all takes place within a classic Country setting of tailgates and outdoor summer fun.
The song creates a vivid mental movie that keeps listeners engaged. The insight into the singer’s feelings and the picture of the girl he’s attracted to add to the enjoyment. But to my mind, the youthful, engaging characters in this lyric are the real standout.
The song structure is…
VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / CHORUS
Singer-songwriter duo The Civil Wars won the 2012 Grammy for Best Country Duo/Group Performance and another for Best Folk Album. Joy WIlliams and Paul White were working as solo singer-songwriters before teaming up to create a unique blend that lets each of them shine. This is a great example of collaboration! They obviously share a love for folk music and were able to find a way to pool their talents and make a whole that’s different from their work as solo artists.
The emotional, atmospheric quality of the tracks makes them perfect for film and television. And indeed, “Poison & Wine” has been featured Grey’s Anatomy, Vampire Diaries, The Client List, Pretty Little Liars, 90210, and more. So let’s take a look.
