“I’m Yours” by Jason Mraz

Hit songwriter and recording artist Jason Mraz.

I think it’s safe to say there are more broken-hearted songs written every day than happy ones. For one thing, it’s easier to sound serious and deep (and cool) when you’re singing a thoughtful, angst-y, sad song than a happy, bright bit of fluff. And, of course, who wants to shut themselves up and work on a song when the good times are rolling.

The biggest problem, though, is how to avoid the kinds of generic, happy-face clichés that are the downfall of so many of these songs. Jason Mraz definitely has a knack for writing upbeat songs that don’t sound shallow. So, let’s take a look and see how he does it.

Listen to the song. Read the lyrics.

Watch on YouTube.

Read the lyrics here.

Written & Recorded by Jason Mraz

GENRE – Adult Contemporary

(What is a genre? Watch this video.)

“I’m Yours” was a No. 1 Pop and Adult Contemporary hit that spent a record-breaking 76 weeks on Billboard’s Hot 100 music chart. It has a light reggae groove, a warm vocal, and lyrics that are seem both personal and universal. The catchy chorus has a sing-along vibe and, in fact, the final chorus on the recording features a gang vocal that adds a party vibe.

Upbeat songs have a lot of audience appeal. They not only work well for radio, they’re also sought after by TV series and advertisers. “I’m Yours” has been used in half a dozen TV series, two national TV commercials, and was nominated for a Grammy Award for Song of the Year.

SONG STRUCTURE

The song has an interesting song structure with a couple of tricks you might want to try.
VERSE / SHORT CHORUS
VERSE / FULL CHORUS
BRIDGE / VERSE 3 / SHORT CHORUS / FULL CHORUS (with Verse 1)

VERSES: The verses convey the theme of the song – “Love is wonderful.” Verse 1 begins with the line “Well, you done done me and you bet I felt it.” The first line of Verse 2 is “Well, open up your mind and see like me.” Verse 3 begins “I’ve been spending way too long checking my tongue in the mirror.”

The melody in Verse 2 is different from Verse 1 and Verse 3 although the chords are the same and it’s still recognizable as a verse. It adds playfulness and variety to the song.

CHORUS: The chorus always begins with the line “I won’t hesitate no more, no more. It cannot wait.” and ends with the title, “I’m yours.” Putting the title in the last line of the chorus is a big plus because that’s a line that listeners can hold onto and remember in the midst of this wordy lyric. 

The first time Mraz sings the chorus, about 45 seconds into the song, he only sings the first and last lines. It’s almost as if he’s dishing up the best parts as a kind of appetizer. The second chorus is longer, doubling the length by adding three more lines that aren’t in the chorus the first time we hear it and rearranging the lyric so it still ends with “I’m yours.” 

The final chorus is sung by a group of people who sound like they’re having a good time while Mraz sings a verse over the chorus. It creates a happy sing-along ending with lots of good-time energy. 

The chorus lyric doesn’t change. It adds lines the second time around but repeats the essential first and last lines. This maintains the repeated chorus effect that listeners like to hear while building and adding shape to this upbeat song, keeping it interesting. Try something like this is a song of your own. 

BRIDGE: The bridge starts with a scat vocal – “Doo-ja-doo-doo-doo-ja” – just about two minutes into the song. 

– TRY IT NOW –

Listen to the song and notice where each song section begins. See if you can identify the verses, chorus, and bridge. Watch for the chorus and notice how the length and complexity changes as the song moves forward.

Hit Songwriting: “These Days” by Foo Fighters

Songwriters: Odie Hawkins, Nate Mendel, Chris Shiflett, Georg Ruthenberg, David Eric Grohl

I was looking through the songs I’ve analyzed over the last couple years and realized I’d never done a song by Foo Fighters. Their huge presence looms over the Rock genre, inspiring dozens of top bands. Grammy wins for Best Rock Album and over a decade of hit Rock songs means that I am long overdue.

This beautiful song from 2012 is one of my favorites. And David Grohl has said that it’s one of his. The passionate chorus lyric and unpredictable but catchy melody make this song a Rock classic that will live on and on.

Watch the video. Read the lyrics.

Watch on YouTube
Read the lyric
Shortcut numbers refer to my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).

GENRE

The genre is Mainstream Rock. Grohl’s gritty vocal, the layered electric guitars, and hard, punchy drums give it plenty of Rock cred. At the same time, the lyric is thoughtful and the theme serious. There’s an intimate approach to the verses that bursts into a solid, rockin’ chorus with a powerful message that landed this song at the top of the Rock charts.

STRUCTURE

The song structure is:

VERSE / VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
DOUBLE PRE-CHORUS / HALF VERSE / CHORUS

The song opens with a double verse. The verses each consist of two long lyric lines broken up into short phrases. A pre-chorus (“But it’s all right…”) provides some release and begins the build up to the huge vocal leap at the top of the chorus (“Easy for you to say…”).

The overall structure is typical for a hit song up until the bridge. Grohl uses a double pre-chorus as the bridge before going into a final verse and chorus. Notice that he doesn’t return to the pre-chorus again, using just a half verse before roaring into the final chorus of the song.

Thinking Out Loud – Ed Sheeran

Ed Sheeran is definitely paying his respects to Van Morrison here. The vocal style, the blue-eyed soul groove and melody, and the personal, honest lyrics all recall hit singles like Van’s “Into the Mystic.” But there are contemporary elements, too – an emphasis on current melody phrasing patterns and tight lyric focus that appeals to today’s listeners.

Ed Sheeran

This song is a co-write with Amy Wadge, a songwriter Sheeran has worked with before. In fact, he wrote an entire EP of songs with her called Songs I Wrote With Amy.  It’s a great example of a first-rate songwriter who certainly doesn’t need a co-writer. There are many reasons to collaborate: speed, new ideas and techniques, another writer’s perspective, and more.

TECHNIQUES TO HEAR AND TRY:
– Keep your lyric focused on your theme
– Use your melody to make a  basic chord progression

 sound fresh
– Create a simple but effective instrumental arrangement

Read the lyrics here: Thinking Out Loud – Ed Sheeran

Watch on YouTube

Recorded by Ed Sheeran
Writers: Ed Sheeran & Amy Wadge

GENRE/STYLE (What is a genre?)

The song’s blend of Blue-Eyed Soul and contemporary singer-songwriter propelled this song to the top of the Mainstream Top 40 charts in the U.S. and global hit status. It has the kind of positive, love-themed lyric and easy melody that suggests it’s likely to be a standard on Adult Contemporary (AC) radio for years to come.

Hit Songwriting: Beautiful Day by Joshua Radin

Songwriter Joshua Radin

I usually feature a hit song from the music charts in this section, but this time I want to take a look at an artist who has built an extremely successful career on Film & TV placements, Joshua Radin. More than 40 of Radin’s songs have appeared in top TV series, including Bones, Parenthood, Grey’s Anatomy, Beauty and the Beast, Chicago Med, 90210, and the list goes on. You won’t find his songs on the mainstream music charts, nevertheless, he has sold millions of downloads and singles.

Radin’s songs are atmospheric, mood-based, and emotionally evocative rather than attention grabbing radio hits. They tend to feature one- or two-line refrains instead of big, over-the-top choruses, as radio singles do. The production is simple but carefully thought out, with chiseled performances that lock into a groove.

Every song is filled with insight, fresh twists, and beautiful payoff lines that are perfect for film and TV uses. If you’re a singer-songwriter looking at the Film & TV market, here’s an artist who is worth studying.

Hit Songwriting: “Classic” by MKTO

“Retro-Blend” is definitely the phrase du jour. Today’s Pop charts are sounding more and more like the music charts of long ago, from the Neon Trees’ “Everybody Talks” to Robin Thicke’s “Blurred Lines” to Bruno Mars’ “Locked Out of Heaven.”

Retro-influenced songs like these evoke the best of yesterday blended with today’s melody, lyric, and production techniques.

Two of the latest hits to pay their respects to the oldies are Pharrell Williams’ “Happy” and MKTO’s “Classic.” If you can remember dancing to Marvin Gaye and the Jackson 5, then you’ve got a big head start on this style. But the commercial magic is in the blend of old and new. Today’s listeners want it ALL. So, let’s a take a look at a Pop hit that delivers the best of yesterday and today. It’s CLASSIC!