“I’m Yours” by Jason Mraz

Hit songwriter and recording artist Jason Mraz.

I think it’s safe to say there are more broken-hearted songs written every day than happy ones. For one thing, it’s easier to sound serious and deep (and cool) when you’re singing a thoughtful, angst-y, sad song than a happy, bright bit of fluff. And, of course, who wants to shut themselves up and work on a song when the good times are rolling.

The biggest problem, though, is how to avoid the kinds of generic, happy-face clichés that are the downfall of so many of these songs. Jason Mraz definitely has a knack for writing upbeat songs that don’t sound shallow. So, let’s take a look and see how he does it.

Listen to the song. Read the lyrics.

Watch on YouTube.

Read the lyrics here.

Written & Recorded by Jason Mraz

GENRE – Adult Contemporary

(What is a genre? Watch this video.)

“I’m Yours” was a No. 1 Pop and Adult Contemporary hit that spent a record-breaking 76 weeks on Billboard’s Hot 100 music chart. It has a light reggae groove, a warm vocal, and lyrics that are seem both personal and universal. The catchy chorus has a sing-along vibe and, in fact, the final chorus on the recording features a gang vocal that adds a party vibe.

Upbeat songs have a lot of audience appeal. They not only work well for radio, they’re also sought after by TV series and advertisers. “I’m Yours” has been used in half a dozen TV series, two national TV commercials, and was nominated for a Grammy Award for Song of the Year.

SONG STRUCTURE

The song has an interesting song structure with a couple of tricks you might want to try.
VERSE / SHORT CHORUS
VERSE / FULL CHORUS
BRIDGE / VERSE 3 / SHORT CHORUS / FULL CHORUS (with Verse 1)

VERSES: The verses convey the theme of the song – “Love is wonderful.” Verse 1 begins with the line “Well, you done done me and you bet I felt it.” The first line of Verse 2 is “Well, open up your mind and see like me.” Verse 3 begins “I’ve been spending way too long checking my tongue in the mirror.”

The melody in Verse 2 is different from Verse 1 and Verse 3 although the chords are the same and it’s still recognizable as a verse. It adds playfulness and variety to the song.

CHORUS: The chorus always begins with the line “I won’t hesitate no more, no more. It cannot wait.” and ends with the title, “I’m yours.” Putting the title in the last line of the chorus is a big plus because that’s a line that listeners can hold onto and remember in the midst of this wordy lyric. 

The first time Mraz sings the chorus, about 45 seconds into the song, he only sings the first and last lines. It’s almost as if he’s dishing up the best parts as a kind of appetizer. The second chorus is longer, doubling the length by adding three more lines that aren’t in the chorus the first time we hear it and rearranging the lyric so it still ends with “I’m yours.” 

The final chorus is sung by a group of people who sound like they’re having a good time while Mraz sings a verse over the chorus. It creates a happy sing-along ending with lots of good-time energy. 

The chorus lyric doesn’t change. It adds lines the second time around but repeats the essential first and last lines. This maintains the repeated chorus effect that listeners like to hear while building and adding shape to this upbeat song, keeping it interesting. Try something like this is a song of your own. 

BRIDGE: The bridge starts with a scat vocal – “Doo-ja-doo-doo-doo-ja” – just about two minutes into the song. 

– TRY IT NOW –

Listen to the song and notice where each song section begins. See if you can identify the verses, chorus, and bridge. Watch for the chorus and notice how the length and complexity changes as the song moves forward.

Hit Songwriting: “These Days” by Foo Fighters

Songwriters: Odie Hawkins, Nate Mendel, Chris Shiflett, Georg Ruthenberg, David Eric Grohl

I was looking through the songs I’ve analyzed over the last couple years and realized I’d never done a song by Foo Fighters. Their huge presence looms over the Rock genre, inspiring dozens of top bands. Grammy wins for Best Rock Album and over a decade of hit Rock songs means that I am long overdue.

This beautiful song from 2012 is one of my favorites. And David Grohl has said that it’s one of his. The passionate chorus lyric and unpredictable but catchy melody make this song a Rock classic that will live on and on.

Watch the video. Read the lyrics.

Watch on YouTube
Read the lyric
Shortcut numbers refer to my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).

GENRE

The genre is Mainstream Rock. Grohl’s gritty vocal, the layered electric guitars, and hard, punchy drums give it plenty of Rock cred. At the same time, the lyric is thoughtful and the theme serious. There’s an intimate approach to the verses that bursts into a solid, rockin’ chorus with a powerful message that landed this song at the top of the Rock charts.

STRUCTURE

The song structure is:

VERSE / VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
DOUBLE PRE-CHORUS / HALF VERSE / CHORUS

The song opens with a double verse. The verses each consist of two long lyric lines broken up into short phrases. A pre-chorus (“But it’s all right…”) provides some release and begins the build up to the huge vocal leap at the top of the chorus (“Easy for you to say…”).

The overall structure is typical for a hit song up until the bridge. Grohl uses a double pre-chorus as the bridge before going into a final verse and chorus. Notice that he doesn’t return to the pre-chorus again, using just a half verse before roaring into the final chorus of the song.

Hit Songwriting: Royals by Lorde

Pop songwriter and recording artist Lorde

Sometimes a single, unlikely word can spark a hit. Lorde describes seeing the word “Royals” written on the uniform of a Kansas City Royals baseball player. It triggered a response—not to the baseball team, but to the word itself.

“Royals” is a word that’s loaded with associations – wealth, luxury, power, and privilege. It evokes stories of legendary kings and queens, as well as today’s celebrities. And it stirs up interest in just about everyone, which makes it a perfect word on which to build a song. Let’s take a look at Lorde’s mega-hit and find out how to create a hit song from a single word.

Listen to the song. Read the lyrics.

“Royals” recorded by Lorde
Songwriters: Ella Yelich-O’Connor (Lorde), Joel Little
You can read the lyric here.

GENRE/STYLE: Singer-Songwriter

(What is a genre?)
This song has sold triple Platinum and made it to #1 on Pop charts around the world.  It doesn’t sound like most Pop hits, though. Definitely not Katy Perry or Kelly Clarkson. Instead it blends a singer-songwriter style lyric and melody with a groove and tempo that owe a lot to Hip Hop, giving the song a cool Urban edge.

When blending genres like this, be sure you’re familiar with both of the styles you’re working in. Your song and/or production need to draw on authentic elements from each source rather than being an accidental mish-mash that may or may not really capture a genre. Listen to your favorite artists in each style as you write. Draw on those elements that appeal to you, or study an artist who is already blending those styles.

Write a Fresh Holiday Hit

Every holiday season, we’re surrounded with recordings of Christmas standards and traditional carols. Wouldn’t it be nice if there were a few new songs every now and then? I mean, tradition is fine but we all need a break sometimes. So, how about writing a fresh holiday hit this season, something just a little bit different?

Here’s a list of contemporary holiday songs that take a slightly different approach to the season. I chose these songs because each one has something interesting to offer in the way of song craft or an inspired idea. Give them a listen and try some of these ideas yourself. Maybe you’ll write the next holiday hit!

It’s that TIME of year

Skaters

Most of our holiday standards are in good old familiar 4/4 time. How about breaking with tradition and writing a song with a different groove? There are some (but not many) wonderful holiday songs with a waltz feel – “The Christmas Waltz” is one of a handful that comes to mind. So, let’s write a couple new ones. Time signatures based on 3 beats (3/4, 6/8, 12/8) evoke the swirl of falling snowflakes and skaters twirling on the ice. Perfect for the holiday season!

To hear a contemporary Country take on a holiday waltz, check out Alan Jackson’s “Let It Be Christmas.” The irresistible swing and sway give his sweet lyric an uplifting energy.

PLAY IT:  Let It Be Christmas – Alan Jackson

Don’t feel like waltzing on the ice? How about a Christmas shuffle? Or explore more unusual time signatures, like 5/4 or 7/4. How about a Dave Brubeck “Take Five” feel this holiday!

New Year, new song …

Aren’t we all getting a little tired of ‘Auld Lang Syne” and “What Are You Doing New Year’s Eve?” How about a New Year’s Eve EDM rave up? Or a novelty song about people’s worst New Year’s resolutions? Or a song about why we celebrate the end of a year and why we think next year will be better? Here’s a song that will actually make you believe next year will be better!

Songs for TV Commercials with Cathy Heller

Cathy Heller is a go-to artist when it comes to licensing music to TV commercials. Her songs have been featured in major ad campaigns for McDonalds, Walmart, Petco, Quaker, KFC, and many others. For years, Cathy has been successfully pitching her own music and helping other artists do the same. In this podcast I ask her how she does it.

Listen to the podcast

Table of Contents” for the podcast.