Writing Songs of Social Commentary

No matter what song genre you’re writing in, at some point you’re likely to find yourself wanting to express your thoughts about your generation, your community, society, or the state of the world in general. Given the unsettled times we’re living in, it’s not surprising that songwriters are turning toward their art to express feelings of solidarity, uncertainty, pride, indignation, or hope for the future. Whatever your thoughts or feelings are about the world, a song of social commentary is a great way to express them.

What are songs of social commentary?

The words “social commentary” are not, in themselves, either positive or negative. These songs are a means of expressing an opinion, observation, or message, the way you see and feel about things, especially things you feel strongly about.

For example, one person might look at a community and see the good that comes from a sense of belonging, while another might see a close-minded group banding together to keep outsiders at a distance. What’s your view? What’s your experience? Your observations may be lauded or they may be unpopular, but it’s still up to you – and no one else – to say what you want to say, to make your opinion heard.

Songs of social commentary are not limited to politics or protest. They can help us define a sense of purpose and place, identify with those who are like us and not like us, chastise and forgive, identify our strengths and our failings, and help us work our way through an ever-changing world.

Most importantly, a song of social commentary seeks to persuade, to convey the songwriter’s observations, beliefs, or experiences in a way that allows the listener to see and understand the world as the songwriter does. In doing so, the hope is that through songs we can understand each other a little better.

Robin's songwriting books at Amazon.

Themes

This list includes a few of the most popular themes that come up in commentary songs. Each theme can be expressed in individual terms: its effect on one person or on the singer. Or painted with a broader brush: its effect on a whole society or the world. I’m sure you’ll think of more themes, so feel free to add your own, ones that have meaning and energy for you.

Hit Songwriting: “Here” by Rascal Flatts

Rascal Flatts

There are so many great things going on in the song “Here” by Rascal Flatts that it’s well worth spending some time looking into what makes it tick. The melody is tight, well-structured, and unforgettable. Lyrics are focused like a laser on the emotion at the heart of the song.

Read the lyrics.

Watch on YouTube.


“Here” recorded by Rascal Flatts
Writers: Steve Robson & Jeffrey Steele

Shortcut numbers refer to my book “Shortcuts to Hit Songwriting.”

SONG STRUCTURE

The song structure is the one that’s used in so many of today’s hit singles:

VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / FINAL CHORUS

The chorus begins with the line “And I wouldn’t change a thing…” and ends with an emotional payoff in the final phrase “here, right here.” Notice how this phrase is set up with a short pause that gives it more weight and draws attention to it (Shortcut #96).

The pre-choruses both begin with the phrase, “I know now…” The bridge flows right out of the second chorus so it’s a little harder to spot. It actually starts with the last word of the chorus (and the title of the song): “here… in a love I never thought I’d get to.” The word “here” does double duty as the end of the chorus and beginning of the bridge, a great way to keep the song flowing forward and pull the listener right into the bridge. Try this idea in one of your own songs as a transition between sections.

Write a Fresh Holiday Hit

Every holiday season, we’re surrounded with recordings of Christmas standards and traditional carols. Wouldn’t it be nice if there were a few new songs every now and then? I mean, tradition is fine but we all need a break sometimes. So, how about writing a fresh holiday hit this season, something just a little bit different?

Here’s a list of contemporary holiday songs that take a slightly different approach to the season. I chose these songs because each one has something interesting to offer in the way of song craft or an inspired idea. Give them a listen and try some of these ideas yourself. Maybe you’ll write the next holiday hit!

It’s that TIME of year

Skaters

Most of our holiday standards are in good old familiar 4/4 time. How about breaking with tradition and writing a song with a different groove? There are some (but not many) wonderful holiday songs with a waltz feel – “The Christmas Waltz” is one of a handful that comes to mind. So, let’s write a couple new ones. Time signatures based on 3 beats (3/4, 6/8, 12/8) evoke the swirl of falling snowflakes and skaters twirling on the ice. Perfect for the holiday season!

To hear a contemporary Country take on a holiday waltz, check out Alan Jackson’s “Let It Be Christmas.” The irresistible swing and sway give his sweet lyric an uplifting energy.

PLAY IT:  Let It Be Christmas – Alan Jackson

Don’t feel like waltzing on the ice? How about a Christmas shuffle? Or explore more unusual time signatures, like 5/4 or 7/4. How about a Dave Brubeck “Take Five” feel this holiday!

New Year, new song …

Aren’t we all getting a little tired of ‘Auld Lang Syne” and “What Are You Doing New Year’s Eve?” How about a New Year’s Eve EDM rave up? Or a novelty song about people’s worst New Year’s resolutions? Or a song about why we celebrate the end of a year and why we think next year will be better? Here’s a song that will actually make you believe next year will be better!

“One In Every Crowd” by Montgomery Gentry

Talk about an irresistible bunch of fun! This song has listener appeal from the first line to the last. It’s a great Contemporary Country party song with a sing-along hook that’s a killer. Let’s take a look at how it all works together.

TECHNIQUES TO HEAR AND TRY:

• Try a sing-along post-chorus for a party anthem!
• Use images to bring a character to life.

• Fake out the listener with your melody.

Play It Again – Luke Bryan

Hit songwriting with Luke Bryan: Play It Again.

There are always a whole lotta party-all-night, feel-good songs on the Country music charts, especially in the summer. It’s a theme with tons of appeal for Country listeners.

The songwriting on all these hits is solid, of course, but, after a while you might start to notice a certain same-ness to the lyrics. They all seem to have pickup trucks, beer, and girls in shorts. So, wouldn’t it be cool if you could  write a hit song with this commercially appealing theme and set yourself a little apart from the crowd? Let’s take a look at a  Country hit that does exactly that.

“Play It Again,” a summertime hit recorded by Luke Bryan, has the required tailgate and girl in shorts but the song brings this girl to life in a way that’s vivid and believable. You get a real sense of both the singer’s character and the girl’s. The song plays out like a series of scenes, fun to watch and easy to get caught up in.

Read the lyrics here.

Watch on YouTube.

Artist: Luke Bryan
Writers: Dallas Davidson & Ashley Gorley

GENRE/STYLE

 (What is a genre?)

The genre is 100% pure Contemporary Country. The detailed story line and physical actions of the characters are clearly drawn. It all takes place within a classic Country setting of tailgates and outdoor summer fun.

The song creates a vivid mental movie that keeps listeners engaged. The insight into the singer’s feelings and the picture of the girl he’s attracted to add to the enjoyment. But to my mind, the youthful, engaging characters in this lyric are the real standout.

SONG STRUCTURE

The song structure is…
VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / CHORUS