Category: COUNTRY

See how vivid images and patterns of melody phrases, among other songwriting tools, are used to make these hit songs rise to the top of the Country charts.

Song Guide: “Something In the Orange” by Zach Bryan

There are two versions of this song, both released by the artist. This Song Guide refers to “Something in the Orange,” not “Something in the Orange – Z & E’s version.” There are differences in production and vocal performance.

WHY THIS SONG?

“SOMETHING IN THE ORANGE” by Zach Bryan reached the top of the Hot Country music chart in 2022 and is currently nominated for a Grammy for Best Country Solo Performance.

When it was released, it raced up the charts like a Rock star single even though the artist had never had a major label release before and the song was wildly different from anything else in the current mainstream Country genre.

How did that happen? Well, it’s a beautiful, emotionally moving ballad, but that alone wouldn’t put it on top of the Contemporary Country charts. Instead, I suspect it had something to do with this artist having eight song placements and a cameo appearance on the hit TV series Yellowstone, the most watched TV show of 2022. Although this particular song was not used in that series, it was featured in two others (Fire Country and Big Sky). Audiences were primed for more from this artist.

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Are Country Hits Today’s Soft Rock?

SONG GUIDE: “Trouble With A Heartbreak” – Jason Aldean
SONG GUIDE: “Slow Down Summer” – Thomas Rhett

If you were a fan of Fleetwood Mac, Hall & Oates, Journey, or Richard Marx, then today’s Country hits are right up your alley. Like the Soft Rock hits of the ’70s through the ’90s, the Contemporary Country genre features memorable melodies with great hooks, well-crafted lyrics, and body-swaying, mid-tempo grooves.

“Trouble With A Heartbreak” by Jason Aldean and “Slow Down Summer” by Thomas Rhett reached #1 and #2 on the Country charts and I can’t help drawing a few comparisons to the big, melodic hits of the 1970s.

So let’s take a deeper look and see what gives these songs their huge appeal. Along the way, maybe we’ll be able to answer the question: Do they really share DNA with the soft rockers of past decades?

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Hit Songwriting: “Cold” by Chris Stapleton

Why this song? 

“Cold” is a powerhouse Alt Country song that adds to Chris Stapleton’s solid reputation as one of Country’s great songwriters.

Although Chris Stapleton has had Mainstream Country hits, his songs don’t fit easily into the Contemporary Country style. The big hits he’s written or co-written for other artists—including “Drink a Beer” for Luke Bryan and “Never Wanted Nothing More” for Kenny Chesney—tend to fall into a neo-traditional Country style that harks back to the acoustic, folk roots of Country music. When Chris Stapleton finally recorded his own songs as an artist, he scored big with “Broken Halos,” a song with a lot of that folksy, roots appeal.

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Learn From a Country Hit : “Gone” by Dierks Bentley

Why this song?

Most songwriters know that the Contemporary Country genre pumps out some of the most well crafted songs in the business. What you might not know is that these songs can provide a gold mine of song crafting techniques you can use to add appeal to your own songs, no matter what genre you’re writing in.

Sure, Country has its own distinctive musical twang but many of the lyric and melody skills are universal. Read on and I’ll show you a few. I’ll use Dierks Bentley’s recent Country hit “Gone” as an example.

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Americana Songwriting: “And It’s Still Alright” by Nathaniel Rateliff

FRANKLIN, TENNESSEE - SEPTEMBER 22: Nathaniel Rateliff & The Night Sweats performs onstage during day 2 of the 2019 Pilgrimage Music & Cultural Festival on September 22, 2019 in Franklin, Tennessee. (Photo by Erika Goldring/Getty Images for Pilgrimage Music & Cultural Festival)

“And It’s Still Alright“ is the kind of song you won’t find on the Top 40 Pop music chart but with millions of streams it clearly has plenty of appeal.

Rateliff has the ability to write powerful songs about common emotions that are shared by many, just the kind of emotions that show up in television scenes. His songs have had TV placements in Roswell, New Mexico; Yellowstone; Lethal Weapon; Grace and Frankie; Nashville; Fargo, NCIS: Los Angeles and more. Let’s see how he does it.

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