“I’m Yours” by Jason Mraz

Hit songwriter and recording artist Jason Mraz.

I think it’s safe to say there are more broken-hearted songs written every day than happy ones. For one thing, it’s easier to sound serious and deep (and cool) when you’re singing a thoughtful, angst-y, sad song than a happy, bright bit of fluff. And, of course, who wants to shut themselves up and work on a song when the good times are rolling.

The biggest problem, though, is how to avoid the kinds of generic, happy-face clichés that are the downfall of so many of these songs. Jason Mraz definitely has a knack for writing upbeat songs that don’t sound shallow. So, let’s take a look and see how he does it.

Listen to the song. Read the lyrics.

Watch on YouTube.

Read the lyrics here.

Written & Recorded by Jason Mraz

GENRE – Adult Contemporary

(What is a genre? Watch this video.)

“I’m Yours” was a No. 1 Pop and Adult Contemporary hit that spent a record-breaking 76 weeks on Billboard’s Hot 100 music chart. It has a light reggae groove, a warm vocal, and lyrics that are seem both personal and universal. The catchy chorus has a sing-along vibe and, in fact, the final chorus on the recording features a gang vocal that adds a party vibe.

Upbeat songs have a lot of audience appeal. They not only work well for radio, they’re also sought after by TV series and advertisers. “I’m Yours” has been used in half a dozen TV series, two national TV commercials, and was nominated for a Grammy Award for Song of the Year.

SONG STRUCTURE

The song has an interesting song structure with a couple of tricks you might want to try.
VERSE / SHORT CHORUS
VERSE / FULL CHORUS
BRIDGE / VERSE 3 / SHORT CHORUS / FULL CHORUS (with Verse 1)

VERSES: The verses convey the theme of the song – “Love is wonderful.” Verse 1 begins with the line “Well, you done done me and you bet I felt it.” The first line of Verse 2 is “Well, open up your mind and see like me.” Verse 3 begins “I’ve been spending way too long checking my tongue in the mirror.”

The melody in Verse 2 is different from Verse 1 and Verse 3 although the chords are the same and it’s still recognizable as a verse. It adds playfulness and variety to the song.

CHORUS: The chorus always begins with the line “I won’t hesitate no more, no more. It cannot wait.” and ends with the title, “I’m yours.” Putting the title in the last line of the chorus is a big plus because that’s a line that listeners can hold onto and remember in the midst of this wordy lyric. 

The first time Mraz sings the chorus, about 45 seconds into the song, he only sings the first and last lines. It’s almost as if he’s dishing up the best parts as a kind of appetizer. The second chorus is longer, doubling the length by adding three more lines that aren’t in the chorus the first time we hear it and rearranging the lyric so it still ends with “I’m yours.” 

The final chorus is sung by a group of people who sound like they’re having a good time while Mraz sings a verse over the chorus. It creates a happy sing-along ending with lots of good-time energy. 

The chorus lyric doesn’t change. It adds lines the second time around but repeats the essential first and last lines. This maintains the repeated chorus effect that listeners like to hear while building and adding shape to this upbeat song, keeping it interesting. Try something like this is a song of your own. 

BRIDGE: The bridge starts with a scat vocal – “Doo-ja-doo-doo-doo-ja” – just about two minutes into the song. 

– TRY IT NOW –

Listen to the song and notice where each song section begins. See if you can identify the verses, chorus, and bridge. Watch for the chorus and notice how the length and complexity changes as the song moves forward.

Film and TV Songwriting Playlist

Since writing my book on songwriting for the Film & TV market, I’ve been studying the kinds of songs that do well in commercials, TV shows, and movies. Recently I began putting many of them into a Spotify playlist and I’d love to share it with you. I’m adding to it all the time.

All of these songs have been used in prime time TV dramas, national TV commercials, or films. I tend to favor the kinds of songs that can be recorded in a home studio or relatively inexpensively in a pro studio. There are even a couple of recognizable hit songs here, but in each case the song was introduced to the public via television or film.

You can click here to go to the complete playlist on Spotify. Or just go to your Spotify app and search for Film and TV Songwriting.

Listening to this playlist will give you a good idea of some of the kinds of songs that work well as underscore in TV dramas and commercials, adding energy, emotion and atmosphere. Of course, many more types of songs are used, including Rock, Hip Hop, Blues, and Country. This is just a place to get started. If you’d like to learn more about film and TV songwriting, here’s a post that will give you some tips.

Hit Songwriting: Beautiful Day by Joshua Radin

Songwriter Joshua Radin

I usually feature a hit song from the music charts in this section, but this time I want to take a look at an artist who has built an extremely successful career on Film & TV placements, Joshua Radin. More than 40 of Radin’s songs have appeared in top TV series, including Bones, Parenthood, Grey’s Anatomy, Beauty and the Beast, Chicago Med, 90210, and the list goes on. You won’t find his songs on the mainstream music charts, nevertheless, he has sold millions of downloads and singles.

Radin’s songs are atmospheric, mood-based, and emotionally evocative rather than attention grabbing radio hits. They tend to feature one- or two-line refrains instead of big, over-the-top choruses, as radio singles do. The production is simple but carefully thought out, with chiseled performances that lock into a groove.

Every song is filled with insight, fresh twists, and beautiful payoff lines that are perfect for film and TV uses. If you’re a singer-songwriter looking at the Film & TV market, here’s an artist who is worth studying.

Hit Songwriting: “Let Her Go” – Passenger

Passenger is Mike Rosenberg. Whispers is out now.

Until recently you would only have heard a thoughtful, acoustic-based folk song like “Let Her Go” on college radio stations or eclectic NPR shows. Certainly not among Billboard’s Top 10 Pop hits. But there it is. If you haven’t heard this song on the radio then you’ve probably heard it on a national TV commercial or featured in prime time television series like Elementary and The Vampire Diaries.

Let’s take a deep dive into this song to see what makes it work so well and how you can use some of these techniques in your own songs.

TECHNIQUES TO HEAR AND TRY: 

  • Use examples to express theme and emotion.
  • Start a song with a chorus.
  • Use a three-line melody pattern.
  • Create a slow dynamic build with production.

Listen to the song. Read the lyrics.

Artist: Passenger
Songwriter: Michael David Rosenberg (aka Passenger)

Watch on YouTube.
Read the lyric here.

GENRE/STYLE: Folk, Singer-Songwriter 

(What is a genre? Watch this video.)

The lyric, melody, and structure of this song are all reminiscent of the folk genre, with a nod to both authentic English ballads and the folk songs of the 1960s. If you still love to sing “Where Have All the Flowers Gone” then this song is for you! There’s even a subtle group sing-along on the chorus, almost as if everyone is gathered round the ol’ campfire.

But even though the retro underpinnings are clearly there, the melody has interesting twists that give it a modern edge. If you’ve got a few old fashioned folk songs tucked away (and I know some of you do) consider giving them a facelift with these tricks.

Hit Song Guide: Almost Lover – A Fine Frenzy

This song by A Fine Frenzy is a big favorite among fans of the youthful, star-crossed romantic singer-songwriter style. It’s a perfectly cut gem of a song with a personal, yet accessible lyric and a melody that gets stuck in your head.  It’s worth studying to learn how to write very personal lyrics that connect with listeners and create melodies that keep a slow-moving ballad compelling.

Moody, introspective songs like this one work well for film & TV. Songs by A Fine Frenzy have been featured in CSI:NY, Parenthood, House, The Vampire Diaries, Army Wives, and many, many more.