Hit Songwriting: Using Trigger Words

Every songwriter’s dream: A total stranger stumbles across your song on YouTube, falls in love with it in the first 30 seconds, and immediately dashes over to iTunes and actually buys it. Then, your new fan sets aside an evening, turns off the phone so they won’t be disturbed, puts on headphones and curls up in a comfy chair to ponder every syllable, every note, and every nuance of the brilliant masterpiece you slaved over. 

We wish. The unfortunate truth…

You manage to get your song in front of listeners any way you can. Maybe you covered a hit song in a unique way. A listener who is a fan of that song stumbled across your version on YouTube and decided to check out your other stuff. While they’re doing that, they’re half-watching a TV show, snacking on pizza while surrounded by kids, roommates, or siblings, and getting a half-dozen texts from friends. Although they may hear your song, they’re not thinking about what they hear. 

That’s the harsh reality, but just remember every other song gets pretty much the same treatment. And once you know that, there is something you can do: Use trigger words.

What Is the Singer-Songwriter Genre?

You can draw a straight line from Joni Mitchell’s Blue album, the intimate vocals of Tim Hardin, and the floating melodies of Nick Drake to the compelling sound of today’s Singer-Songwriter genre.

Indeed, the Singer-Songwriter genre has been around for decades, yet no one seems able to describe exactly what it is. We might agree that Dermot Kennedy, Sheryl Crow, Novo Amor, and Ingrid Michaelson are all singer-songwriters, but they all sound very different. What does the Singer-Songwriter genre sound like? And how do you know if you’re in it? Why is that important?

Americana Songwriting: “And It’s Still Alright” by Nathaniel Rateliff

FRANKLIN, TENNESSEE - SEPTEMBER 22: Nathaniel Rateliff & The Night Sweats performs onstage during day 2 of the 2019 Pilgrimage Music & Cultural Festival on September 22, 2019 in Franklin, Tennessee. (Photo by Erika Goldring/Getty Images for Pilgrimage Music & Cultural Festival)

“And It’s Still Alright is the kind of song you won’t find on the Top 40 Pop music chart but with millions of streams it clearly has plenty of appeal.

Rateliff has the ability to write powerful songs about common emotions that are shared by many, just the kind of emotions that show up in television scenes. His songs have had TV placements in Roswell, New Mexico; Yellowstone; Lethal Weapon; Grace and Frankie; Nashville; Fargo, NCIS: Los Angeles and more. Let’s see how he does it.

Three Film and TV Songs: Banners, Freya Ridings, & Gregory Alan Isakov

Film and TV songs are hot. Commercials, TV dramas, Reality TV, and competition shows are using more songs than ever. Original programming from producers like Netflix, Hulu, and HBO have erased the notion of “seasons.” It’s a year-round gig and music libraries want to fill the need.

Together, let’s take a look at three singer-songwriters who get a lot of film and TV placements. We’ll dive deep into a song from each to see why these songs are so successful and how you can use many those ideas in songs of your own.

Writing Songs for TV Commercials

More and more indie songwriters are getting their songs in TV commercials. It’s a market that pays high fees and offers great exposure if you’ve got what they need—songs that express the energy and emotion they’d like people to associate with their product.

Let’s take a look at three songs used in national ad campaigns for major brands. Listen to the songs, watch the ads, read my analysis, and then see if you can write and record something in a similar style.