Recently three different songwriters have mentioned the name Zayde Wolf to me. Now, I am a true believer in the “Rule of Three,” and therefore I made sure to check him out. (Ron Fair, former president of A&M records and a top A&R exec, once told me that if three people — any three people — told him about a band or artist, he would be certain to take a look at them.)
So, I spent some time listening to Zayde Wolf and reading his bio, and I’m glad I did. Here’s a guy who has very rapidly garnered hundreds of Film, TV, Advertising, Trailer, and Video Game placements. Naturally, I began to wonder: Who is he? Where did he come from? How many years of dues-paying has he put in? Turns out none of these questions really apply.
I’ve been thinking a lot about the art and craft of songwriting (as usual) and I keep circling back to a couple of obvious facts:
Every song begins with an idea in your mind.
Every song takes shape because something in you propels it forward, adding to it, sculpting it, changing, strengthening, and polishing it as it moves along.
It struck me that this process is something like the workings of a machine, a Machine for Making Beautiful Things. And like any machine, it needs a “User Manual.” So here’s my idea of what you might find in…
A MANUAL FOR THE PROPER USE AND CARE OF A MACHINE FOR MAKING BEAUTIFUL THINGS
Congratulations on being the owner of a marvelous Machine. You are in possession of something that is both universal (a creative mind) and yet totally unique to you. With proper care, it will give you a lifetime of remarkable service.
GET TO KNOW YOUR MACHINE
Your Machine for Making Beautiful Things is made of countless shining parts whose angles and planes reflect the world like mirrors in the moonlight. It has conveyor belts and cogs that make unexpected connections between ideas and images. Everyday objects, events, and words become intriguing, alluring, strange, or compelling when the Machine goes to work on them.
I’ll walk you through a step-by-step songwriting process that will help you finish every song you start.
✓ You’ll develop a song from a title. ✓ Learn the power of images. ✓ Discover the melody in your lyric. ✓ Find out where to look for co-writers & resources.
From radio-style hit songwriting to film & television songs, I’ll show you how to write expressive songs that listeners will love. Self-paced. Lifetime access.
During my career in the music business as a songwriter, music producer, book author, record label exec, and recording artist, I’ve collected a lot of useful, no-nonsense info and I love to share it!
My books are used in some of the top universities and music schools in the U.S. to teach all levels of songwriting, from beginning to advanced. I’ve written and produced hundreds of songs for television and record albums.
My students and clients have had placements in primetime and daytime television, movies, artist cuts, and hundreds of thousands of streams on Spotify. Join in and see how far your songs can go!
For permission to reprint a portion of any article with a link to the full article on this web site, please click here for more info.
I hope you’ll enjoy your visit and find plenty of inspiration. And be sure to check out my SONGWRITING BLOG at MySongCoach.com for Song Starters, exercises, and an exploration of the craft and business of songwriting.
Duos are hot right now, especially in the film & TV and college music markets: The Weepies, The Bird and the Bee, Angus & Julia Stone, and more. There are a lot of reasons to consider writing, recording, and performing with a partner. And you don’t have to give up your solo career!
Not your parents’ duets
These days, male/female duos are not necessarily singing duets in the traditional sense. The song may feature a vocal by one partner singing about a personal experience, with harmony provided by the other vocalist as in the song “World Spins Madly On” by The Weepies.
Or one partner may be the sole vocalist while the other is primarily a producer/arranger. You can hear a good example in this recordings by The Bird and The Bee called “Recreational Love.”
Or both partners may contribute to songwriting, playing, and producing as Angus and Julia Stone do.
No matter how the vocals, instrumental performance, and production are split up generally both members contribute to the songwriting and a distinctive, artistic sound. Here’s a good example by Chairlift, “I Belong In Your Arms.”
The Civil Wars came close to a classic duet in the haunted “Poison and Wine” in which the singers trade off riddling lines that paint a portrait of a pair of obsessed lovers. Not exactly Marvin Gaye and Tammi Terrell material, but right in line with today’s Indie Folk/Americana style.
Who should try it?
It’s a short hop from the popular singer-songwriter sound of John Mayer or Ingrid Michaelson to duos like The Weepies, The Bird and the Bee, Beach House, The Civil Wars, Little & Ashley, and Angus & Julia Stone.
If you’re a singer-songwriter, consider pairing up with someone else. It doesn’t have to be for the long term and it doesn’t need to be exclusive; you can keep your solo career going. But try stretching out a little. Maybe write and record a bare bones EP with four or five tracks in this style. Check out Ed Sheeran’s “Songs I Wrote With Amy” EP to hear this kind of project.
If your strength is production or instrumentals, think about writing with a vocalist. Work together to create a mood, a sound, and a lyric style you both like. Tailor your songs so that both of you get a chance to shine. A song like Chairlift’s “I Belong In Your Arms” shows off the production almost as much as the vocal.
If you’re a songwriter who doesn’t perform, look for a singer-songwriter to co-write with, someone whose voice inspires you. If you can record the tracks in your home studio, you’ll be in great shape. Depending on the style you write in, you can pitch to the film & TV market or to music publishers for established artists.
Being in a duo has advantages
Pick up your speed and output: A good collaboration can turn out material more quickly than a solo writer. Collaborators can keep each other focused on the work at hand. Knowing someone else is expecting you turn up with a new song idea or a chorus melody or a verse lyric is a great motivator.
Stretch out: Locked into a few old writing habits? Getting a little bored running around the same hamster-wheel? Share ideas with someone else. Let a co-writer finish a song of yours. Listen to their ideas. Try to hear things the way they do. Play your favorite artists for each other. Try writing a song together in a style you both like.
Record male and female vocals: In a duo you’re not limited to either/or. You can write, pitch, and place both male and female vocals. Try recording two versions of a song, one with a male vocal and one female vocal. Blending voices also creates a fresh sound, a female lead with male harmony or vice versa.
Cover your own songs: Try a new approach to some of your old songs. Go unplugged. Feature a different vocal style or gender. It’s a great way to recycle material.
Have fun blending styles: Many of today’s duos are influenced by the production and song styles of earlier eras. Beach House is a great example of a duo channeling some classic sounds into today’s indie Dream Pop genre (“Myth” by Beach House).
If you know the ’60s, ’70s, or ’80s like the back of your hand because you grew up listening to those songs, think about putting together a duo with someone whose tastes and musical knowledge are ultra-current, then blend your two styles into something unique.
Where to look for your other half
If you’re going to be performing together, an online collaboration with someone in a distant city could put a damper on things, so check out the local music scene first. If, on the other hand, you plan to write and record only (no performing), then online is fine.
LOCAL: Check out…
Clubs with live music
A local college or university music department
A chapter of a songwriting organization like NSAI
Anywhere a music scene is happening
ONLINE: Any online songwriting group you belong to can turn up a good partner. Check with friends and friends of friends to find out if they’ve heard anyone interesting. I also recommend the Collaboration Corner on the TAXI forum. You don’t have to be a TAXI member to join the forum but you can meet and write with folks who are. These songwriters are serious about their craft and they understand the various song markets. Go to the TAXI forum and scroll down to Collaboration Corner near the bottom.
What to do when you find a good duo prospect
The winning formula for getting together with a new writing and performing partner is: LISTEN. CONTACT. SHARE. TRY IT OUT.
LISTEN to their material.
CONTACT them if you like what you hear.
SHARE material you’ve each written plus artists and styles you’d like to aim for.
If you think it’s a fit…
TRY IT OUT. Write together to see what happens.
What makes a duo work
The most important things is to acknowledge your strengths and highlight them. If your partner is a great singer and you’re only so-so, hand over the vocal spotlight for a while and provide support. Mutual respect and a commitment to the best end result are the keys to turning out a steady stream of solid work. Sure you’ll have days when you don’t agree on things but once you find someone you want to work with, someone who has strengths and areas of knowledge that complement yours, then get to work and you’ll overcome the tough times.
Two is greater than one
When your voices blend, when the songs you write together turn out different – and maybe better – than the ones you write alone, when that special something happens, hang on to it, nurture it, and then share it with world. We’ll be waiting.
“Highway Don’t Care” is a great example of Contemporary Country songwriting. The lyric paints a vibrant, detailed picture of the characters and situation, offering an original approach to a familiar theme. And even though we all know “lyrics are king” in Country music, the melody played an equally important role in sending this song to the No. 1 spot on the music charts.
“Highway Don’t Care” – Tim McGraw
Songwriters: Mark Irwin, Joshua Kear, Brad Warren, Brett Warren
TECHNIQUES TO HEAR AND TRY:
Engage your listener with your opening line.
Use images to express emotion.
Make your melody memorable with repetition and variation.
