Taylor Swift says she got the inspiration for this song when she overheard a male friend arguing with his girlfriend over the phone. You’ll see how this idea even ended up in the video. 🙂 Just goes to show that songwriting themes are all around you. Keep your ears open!
I promise you’ll learn new songwriting techniques from this huge Country/Pop hit that you’ll be putting to use in your own songs for months and years to come. The lyric details and melodic twists are exciting, fun, and an essential part of today’s hit songs in all genres.
Recorded by Taylor Swift Writers: Liz Rose & Taylor Swift
Lyrics are available online.
The “Shortcut” numbers refer to specific chapters in my book Shortcuts to Hit Songwriting.
GENRE (What is a genre?)
This song is a perfect example of the Pop/Country Crossover style that works for both Country and AC (Adult Contemporary) radio. It reached the #1 spot on both music charts. Why? Well, it has a melody that features the fun twists you would currently hear in a chart-topping Pop song by an artist like Kelly Clarkson and all the lyric detail you would hear in a Country hit. Read the Melody and Lyric sections below to find out how to use these tools in songs of your own. Continue reading →
Here’s a Pop/R&B gem with an irresistibly hummable melody and a raw, emotionally over-the-top lyric. It’s also a very interesting blend of styles: a contemporary, driving melody with classic R&B elements in the chorus.
Recorded by Bruno Mars Writers: Wyatt / Levine / Lawrence / Mars / Kelly / Brown
Lyrics are available on the Internet.
Shortcut # refers to my book “Shortcuts to Hit Songwriting” available at Amazon.com.
GENRE – R&B/Pop(What is a genre?)
The song is a great blend of retro and modern styles. The Motown influence is unmistakable in the chord progression, melody, and and production. Take a listen to the refrain of Smokey Robinson’s “Tears of a Clown” (“…there’s some sad things known to man…”) to hear the warm, rising chords and melodic style used at the end of Bruno Mars’s chorus. But the unusual transitions between sections, the addition of a pre-chorus, and a complex, full-blown chorus clearly give the song a modern sound. Continue reading →