I Drive Your Truck – Lee Brice

A good story has long been one of the hallmarks of a great Country song and today’s Country hits are stuffed full of vivid characters and details. But sometimes, in all the clever word-smithing, we  forget that every great story has emotion at its heart. The best songs are driven by the singer’s feelings.

Here’s a Country hit that packs a huge emotional punch, Lee Brice’s “I Drive Your Truck.”  Listen to the song, then read about it and learn how it draws listeners in and keeps them involved. You’ll also find out how you can use some of those same songwriting techniques in songs of your own.

Recorded by Lee Brice
Writers: Jessi Alexander, Connie Harrington, and Jimmy Yeary

You can read the lyric here.
The Shortcut numbers below refer to specific chapters in my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).

GENRE/STYLE: Contemporary Country.  Both lyric and melody have a current style that’s very Country-radio-friendly.

The song structure is…


The chorus begins with the title line: “I drive your truck…” creating a powerful emotional release and memorable hook. Continue reading

Here – Rascal Flatts

There are so many great things going on in this Country hit that it’s well worth spending some time looking into what makes it tick. The melody is tight, well-structured, and unforgettable. Lyrics are focused like a laser on the emotion at the heart of the song.

“Here” recorded by Rascal Flatts
Writers: Steve Robson & Jeffrey Steele

Lyrics are available on the internet.
Shortcut numbers refer to my book “Shortcuts to Hit Songwriting.”

The song structure is the one that’s used in so many of today’s hit singles:<


The chorus begins with the line “And I wouldn’t change a thing…” and ends with an emotional payoff in the final phrase “here, right here.” Notice how this phrase is set up with a short pause that gives it more weight and draws attention to it (Shortcut #96).

The pre-choruses both begin with the phrase, “I know now…” The bridge flows right out of the second chorus so it’s a little harder to spot. It actually starts with the last word of the chorus (and the title of the song): “here… in a love I never thought I’d get to.” The word “here” does double duty as the end of the chorus and beginning of the bridge, a great way to keep the song flowing forward and pull the listener right into the bridge. Try this idea in one of your own songs as a transition between sections. Continue reading