You can draw a straight line from Joni Mitchell’s Blue album, the intimate vocals of Tim Hardin, and the floating melodies of Nick Drake to the compelling sound of today’s Singer-Songwriter genre.
Indeed, the Singer-Songwriter genre has been around for decades, yet no one seems able to describe exactly what it is. We might agree that Dermot Kennedy, Sheryl Crow, Novo Amor, and Ingrid Michaelson are all singer-songwriters, but they all sound very different. What does the Singer-Songwriter genre sound like? And how do you know if you’re in it? Why is that important?
FRANKLIN, TENNESSEE - SEPTEMBER 22: Nathaniel Rateliff & The Night Sweats performs onstage during day 2 of the 2019 Pilgrimage Music & Cultural Festival on September 22, 2019 in Franklin, Tennessee. (Photo by Erika Goldring/Getty Images for Pilgrimage Music & Cultural Festival)
“And It’s Still Alright“ is the kind of song you won’t find on the Top 40 Pop music chart but with millions of streams it clearly has plenty of appeal.
Rateliff has the ability to write powerful songs about common emotions that are shared by many, just the kind of emotions that show up in television scenes. His songs have had TV placements in Roswell, New Mexico; Yellowstone; Lethal Weapon; Grace and Frankie; Nashville; Fargo, NCIS: Los Angeles and more. Let’s see how he does it.
Recently three different songwriters have mentioned the name Zayde Wolf to me. Now, I am a true believer in the “Rule of Three,” and therefore I made sure to check him out. (Ron Fair, former president of A&M records and a top A&R exec, once told me that if three people — any three people — told him about a band or artist, he would be certain to take a look at them.)
So, I spent some time listening to Zayde Wolf and reading his bio, and I’m glad I did. Here’s a guy who has very rapidly garnered hundreds of Film, TV, Advertising, Trailer, and Video Game placements. Naturally, I began to wonder: Who is he? Where did he come from? How many years of dues-paying has he put in? Turns out none of these questions really apply.
This is just the kind of song that every American Idol finalist and semi-finalist hungers for—and so do record labels and publishers. The melody has a huge range, which works well for singers with big voices, and there’s plenty of passion and excitement in the lyrics. If you’re interested in today’s melodic Pop/Rock genre, this is a song that’s worth studying. It offers a master class in contemporary melody and lyric craft.
Adele had three back-to-back #1 hits on the AC radio charts – “Rolling In the Deep” “Someone Like You” and “Set Fire to the Rain”) Her powerful, expressive voice is a huge part of her success but her vivid, emotion-driven songs provide her with the perfect vehicle and it’s the combination that makes it happen. Adele has also been embraced by the Film & TV market, too. You can find a partial list of TV shows that have used her songs at TuneFind.com. It’s a long list!
I’m going to do something a little different in this “Study the Hits” post. I want to take a look at all three songs. They share similar lyric and melody writing techniques, yet they all sound quite different. I’m sure you’re familiar with these songs but I’ve included the videos to refer to as you read. Or… just watch and enjoy! 🙂
Set Fire to The Rain – Adele Written by Adele and Fraser T Smith
Rolling In the Deep – Adele Written by Adele and Paul Epworth
Someone Like You – Adele Written by Adele and Dan Wilson
Lyrics are available on the Internet. Shortcut numbers refer to my book “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”). Both are available at Amazon.com.
GENRE(What is a genre?) Adele’s songs appear on the Adult Contemporary (AC) and Hot Adult Contemporary (Hot AC) radio airplay charts. Her melodic writing style, emotional lyrics, and strong vocals appeal to a wide demographic, from teens to 50-somethings, which makes her perfect for the AC radio format. Although she’s considered a singer-songwriter she has co-writers on all three songs.
STRUCTURE Each of these three songs sounds quite different, but all feature the same commercial song structure:
Adele will often start the chorus right at the one-minute mark, which is just the right spot for a radio single. That’s about how long listeners are willing to wait for it. To keep listeners with her through the verse and pre-chorus, she fills the lyric with emotional details that draw them into the situation.
