Sound of Madness – Shinedown

ShinedownLet’s say you’re a hard rockin’ band out there working the club circuit. You’d like to get a record deal but can’t seem to interest a label. Your fans love you. You put on a killer live show and tour like crazy, so why won’t the the music industry sign you up?

You may have everything going for you except one thing — you need at least one or two songs that sound like they could get radio airplay either on the big commercial radio stations or on major college radio stations. Record labels know that getting radio airplay is the key to rapid career growth; it will be a key part of their marketing campaign for any group or artist.

So, what’s the difference between a good song that energizes fans at a live performance and a song that can get radio airplay? Let’s take a look at Shinedown’s hit “Sound of Madness,” a powerhouse of a rock song with huge radio appeal, a strong lyric theme, and an unusual but very memorable, contemporary melody.

Recorded by Shinedown
Written by Brent Smith, Dave Bassett
Read the lyrics here.

This song opens with three verses. The first one acts as a kind of intro. It’s sung an octave lower than the rest of the verses and sets up the situation in the song. After the intro, there are double verses before the first and second choruses. Here’s the structure:

VERSE 1 (intro) / VERSE 2 / VERSE 3 / CHORUS

In genres like Pop and Country, Verse 3 and 5 would be pre-choruses. The Rock genre goes for a more straight ahead style that leans more on repetition to make its point.

The double verses in this song give the singer a chance to say what he wants to say. The lyrics are vivid, filled with powerful language and images. Continue reading

These Days – Foo Fighters

I was looking through the songs I’ve analyzed over the last couple years and realized I’d never done a song by Foo Fighters. Their huge presence at the Grammy Awards in 2012 and win for Best Rock Album meant that I am long overdue. I’ve been a fan for a long time so it’s about time!

Recorded by Foo Fighters
Writer: David Grohl

Lyrics are available on the Internet.
Shortcut numbers refer to my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).

The genre is Mainstream Rock. There’s a lot of melody and an intimate, thoughtful approach in the verses but the solid, rockin’ chorus landed this song at the top of the Rock charts.

The song structure is:


The song opens with a double verse. The verses each consist of two long lyric lines broken up into short phrases. A pre-chorus (“But it’s all right…”) provides some release and begins the build up to the huge vocal leap at the top of the chorus (“Easy for you to say…”).

The overall structure is typical for a hit song up until the bridge. Grohl uses a double pre-chorus as the bridge before going into a final verse and chorus. Notice that he doesn’t return to the pre-chorus again, using just a half verse before roaring into the final chorus of the song. Continue reading