Like I’m Gonna Lose You – Meghan Trainor & John Legend

Megan TrainorQuestion: How do you follow up a platinum, career-launching single like “All About That Bass”? Answer: With two more relentlessly catchy, upbeat songs that build on a similar radio-friendly, retro-blend sound.

Which is exactly what Meghan Trainor did. But after the third single – as much fluffy fun as it was – listeners were bound to wonder if things weren’t starting to sound a little same-y. Time for something new. Trainor hit the sweet spot with a ballad/duet with John Legend that slides perfectly into Trainor’s throwback sound while revealing more emotional depth.

TECHNIQUES TO HEAR AND TRY:
• Blend vintage and contemporary song elements.
• Maintain lyric focus.
• Make your melody memorable by using patterns.

Read the lyrics here: Like I’m Gonna Lose You – Meghan Trainor w/ John Legend

Buy it now or listen on your preferred music site (Spotify, Rdio, Apple Music, etc.).

Watch on YouTube

Recorded by Megan Trainor and John Legend
Writers: Meghan Trainor, Justin Weaver, Caitlyn Smith

GENRE/STYLE  (What is a genre?)
This is a great example of a retro-blend song that drops neatly into today’s Adult Contemporary/Pop genre. Producer Chris Gelbuda calls the overall album style “Doo-Wop/Pop Throwback” and references “Stand By Me” by Ben E. King as an influence on this particular song. I’m reminded of classic Marvin Gaye/Tammi Terrell duets like “Your Precious Love” and “You’re All I Need to Get By.” From the moment John Legend enters on Verse 2, there are references this classic duet sound.

Underlying all this rich, vintage Soul is a poetically modern lyric, an unusual lyric theme, a loop-style rhythm track, and a punchy, dry mix. All of which give this song a contemporary edge. Continue reading

Thinking Out Loud – Ed Sheeran

Ed SheeranEd Sheeran is definitely paying his respects to Van Morrison here. The vocal style, the blue-eyed soul groove and melody, and the personal, honest lyrics all recall hit singles like Van’s “Into the Mystic.” But there are contemporary elements, too – an emphasis on current melody phrasing patterns and tight lyric focus that appeals to today’s listeners.

This song is a co-write with Amy Wadge, a songwriter Sheeran has worked with before. In fact, he wrote an entire EP of songs with her called Songs I Wrote With Amy.  It’s a great example of a first-rate songwriter who certainly doesn’t need a co-writer. There are many reasons to collaborate: speed, new ideas and techniques, another writer’s perspective, and more.

TECHNIQUES TO HEAR AND TRY:
– Keep your lyric focused on your theme
– Use your melody to make a  basic chord progression

 sound fresh
– Create a simple but effective instrumental arrangement

Read the lyrics here: Thinking Out Loud – Ed Sheeran

Buy it now or listen on your preferred music site (Spotify, Rdio, Rhapsody, etc.).

Watch on YouTube

Recorded by Ed Sheeran
Writers: Ed Sheeran & Amy Wadge

GENRE/STYLE (What is a genre?)

The song’s blend of Blue-Eyed Soul and contemporary singer-songwriter propelled this song to the top of the Mainstream Top 40 charts in the U.S. and global hit status. It has the kind of positive, love-themed lyric and easy melody that suggests it’s likely to be a standard on Adult Contemporary (AC) radio for years to come. Continue reading

Classic – MKTO

mkto“Retro-Blend” is definitely the phrase du jour. Today’s Pop charts are sounding more and more like the music charts of long ago, from the Neon Trees’ “Everybody Talks” to Robin Thicke’s “Blurred Lines” to Bruno Mars’ “Locked Out of Heaven.”

Retro-influenced songs like these evoke the best of yesterday blended with today’s melody, lyric, and production techniques.

Two of the latest hits to pay their respects to the oldies are Pharrell Williams’ “Happy” and MKTO’s “Classic.” If you can remember dancing to Marvin Gaye and the Jackson 5, then you’ve got a big head start on this style. But the commercial magic is in the blend of old and new. Today’s listeners want it ALL. So let’s a take a look at a Pop hit that delivers the best of yesterday and today. It’s “CLASSIC”!

Recorded by MKTO
Writers: Evan Bogart, Andrew Goldstein, Emanuel Kiriakou, Lindy Robbins

Read the lyrics here.

The Shortcut numbers below refer to chapters in my books “Shortcuts to Hit Songwriting” (“Hit”) and “Shortcuts to Songwriting for Film & TV” (“Film/TV”).

GENRE
The genre is retro-blend Pop. This track is obviously paying its respects to the Jackson 5’s  “I Want You Back.” The tempo is very close and the feel of the groove is similar. There are little sections of the melody that suggest the Jackson 5 original and touches in the arrangement, especially the rhythm electric guitar.

This is a perfect example of a song you’ll find a little further down on the Pop charts. That’s why it’s important not to stop with the top five or ten songs. Keep digging for those gems – the ones that make you say “I wish I’d written that!” These are the songs you want to learn from.

STRUCTURE
The song structure is…
VERSE / PRE-CHORUS / CHORUS
VERSE / PRE-CHORUS / CHORUS
BRIDGE / CHORUS

The pre-chorus starts with the line “I want to thrill you like Michael.” The section builds anticipation and energy going into the chorus which is just what a pre-chorus should do. Continue reading

If I Were a Boy – Beyoncé

BeyonceThis beautiful hit ballad has a compelling title and a simple but very effective melody trick you’ll definitely want to try in a song of your own.

While record labels tend to shy away from ballads when it comes to releasing and marketing the big lead single from an album, in this case the label released “If I Were a Boy” as a co-lead single right along with the smash R&B/Pop Dance track “Single Ladies (Put a Ring On It).” Both songs climbed to the Top 5 on the Pop charts and have continued to be listener favorites.

So, how does a slow, thoughtful ballad compete with one of those monster uptempo dance tracks? Watch the song video then read on to find out.


Writers: Toby Gad / Britney Carlson (BC Jean)
Recorded by Beyoncé

Shortcut numbers refer to my book “Shortcuts to Hit Songwriting.”

GENRE/STYLE What is a genre?
This is a power ballad in the Pop/R&B style. Power ballads generally start out with an intimate, personal sound and build to a big, anthemic ending. The tempo can range from slow to medium but should never feel rushed. The BPM (Beats per Minute) is usually – though not always – 100 or below. Continue reading

You Belong With Me – Taylor Swift

Taylor Swift says she got the inspiration for this song when she overheard a male friend arguing with his girlfriend over the phone. You’ll see how this idea even ended up in the video. 🙂 Just goes to show that songwriting themes are all around you. Keep your ears open!

I promise you’ll learn new songwriting techniques from this huge Country/Pop hit that you’ll be putting to use in your own songs for months and years to come. The lyric details and melodic twists are exciting, fun, and an essential part of today’s hit songs in all genres.


Recorded by Taylor Swift
Writers: Liz Rose & Taylor Swift
Lyrics are available online.
The “Shortcut” numbers refer to specific chapters in my book Shortcuts to Hit Songwriting.

GENRE (What is a genre?)
This song is a perfect example of the Pop/Country Crossover style that works for both  Country and AC (Adult Contemporary) radio. It reached the #1 spot on both music charts. Why? Well, it has a  melody that features the fun twists you would currently hear in a chart-topping Pop song by an artist like Kelly Clarkson and all the lyric detail you would hear in a Country hit. Read the Melody and Lyric sections below to find out how to use these tools in songs of your own. Continue reading